the slow-rolling hills of the flesh-toned sunset,
sluthering off to make manifest
daybreak elsewhere—so
for the sorrel now, gone
to seed and groping the
sky as a weed might,
weeks before yule tide
saps the grass greige,
souring leaves. Your brother’s
small pall then
sprawls out
under the stars,
like scars against
woodgrain feigning a
movement. Barleycorn
chuckles and buckles in
stone as your feet go stubbornly
scudding up over the buck-toothed
concrete, plots of sidewalk chalk just
humbly plumbing the pockmarked rock
for a feisty dog kennel grotto or cat house,
any scarce space that the scattershot
rain, the rain we’re here without
hourly maybe, should
dare never penetrate—
digging for clams.
And the theatre mask hooligans beckon
the rain and the stars stand still for an instant,
settle, gangway for the gibbet, the crane, or the
trebuchet—which-
ever route Jupiter
Morgan’s chosen this
rather concerningly sultry
Christmas morning—maybe
it’s Easter, Ascension, Feast
of St. Brigid, or All
Hallow’s Eve—
whatever day Jupiter Morgan thinks
is best, wan Houdini of death and
taxes, to honor or gravely sedate the
sunset stumbling back to its cave
so the stars can rage about
which smug gods they still
must coldly and soberly quiver
to slip against.