The Patience of Trees
How they remain present
absorbing, observing
whatever is–
a witness to the green world
within and around them.
How they remain present
absorbing, observing
whatever is–
a witness to the green world
within and around them.
What if we fall in love too often with people
And not enough with life
What if we are not falling enough in love with ourselves
But falling in love with the idea of who we are with someone else
What if we could love experiences
Such as the beauty of the morning sky as the sun rises
What if we could love more the joy that this life could bring us
If we would just invite in that love to ourselves
What if we loved ourselves so immensely
That the power and pleasure that came from that could crack a mountain in half
Pupils releasing ink onto the white of eyes
Like when seeing a shooting star against a clear night sky
How in wonder we see great magnificence
To know that a love towards others
Can be greater if we find it within
To then feel it like a rumbling earthquake
From our feet up throughout the spine
Each vertebra tickling with connection, electricity
To love such beauty around us
Like charcoal from a drawing imbedded deep
Into ridges of hardened, weathered fingertips
Like the dirt of nature’s heavenly landscape
All this splendor I can never have with another
For I can share all this beauty
The experience that is life
But the love I have for it
I can truly hold up close
To my wide-open heart
Ball it up to carry with me
This love for me so that I can
Love all that is greater than myself
the places that swell our hearts:
the swooping of an owl’s wings deep in the forest,
a bed of damp moss and pale tinted ferns
unfolding their holy script,
the mercy of sunlight stippling through the trees,
branches that hold so much
shaped like wishbones
licking the sky,
rivers that bend
singing a song of clay
brimming with secrets,
the ancient pool of water deep down in the current
writing down the poems in the middle of the night,
the aching tenderness of
leaning my whole body into
her voice,
soft vowels flowing
in the key of tenderness,
kin to sea rhythms and leaf music.
No one knows what will happen next.
There’s an urgency inside us
to think of a way forward,
a way of listening back
into the redolent darkness,
the mouth of a great sorrow,
believing that
to crack open
this broken world,
a brittle bread,
is a kind of prayer.
Push back the gloom.
We are connected
in the thick womb of time.
Look at each other until we see
the sources of light that come through us.
Let it honey your mouth
like the drone of delirious bees.
Recite from the book of trembling,
the keen knife blade flash of revelation,
where the heavy lifting happens.
The world is beautiful,
humming us anew each day
from cradle to coffin,
with great tender radiance
speaking our names
into the book of intentions
and the delicate petals of our ears—
portable light to be drunk by us.
There are kinds of joy that can save us.
Oh, let me take it in,
the promise of connection,
coming undone with astonishment, with reverence—
a bell waiting for its chime.
~ Cento poem, including the title, from lines/ phrases of essays in Robert Vivian’s All I Feel Is Rivers and William Woolfitt’s Eyes Moving Through the Dark
these capitalist dreams from which we survey our surroundings
from within this pot we declare the water just fine
even as our very being boils away
we claim great strides at reaching these achievements of life span
when will we turn and see
its true intention
a health span
this poem
this writing
this life
all works in progress
stories for the telling
stories been done
songs for the singing
songs done sung
in one version you appeared
shy smile like a flower
said “hello,” pianissimo
warmly clear-eyed then
in later version you give my
fingers fragile squeeze
lie quietly as grass sleeping
eyes clear once again
in passing
Cellphone vibrates me from sleep, from dreams, trembling
on side table, anchored by tautly-stretched cord. It shakes,
threatening, predicting, portending
a fall
to the floor
before I can hold it
in my hands:
First thought of the day: Your photo in the glass—
The one you took against green of grass behind your house, avocado
laced with gold against your torso wrapped in hunter-green. Caramel
latte of your wrists & neck, lips like dusty, Easter rose
pressing through softest soil.
You are everything of the earth, memory
of salt skin on my tongue, stability & solidity
pressed, pressing back, against me, spicy scent
of musk & coconut & summer berries. I crash
like waves against you, crush the sweet nectar
til it flows. I, too, am salt, you say, but not of the earth—
of the seas, storms over frantic waves in smoky-blue
eyes sweeping you out where feet no longer touch
the bottom.
Dive deep enough & you, too, are there; shattered shell
& mantle shifting, quaking, sand beneath my flow. We are
both out of our depths & language collapses into metaphors
that fight definition, spirits groaning in lost languages
of longing. You’ve lost sight of the coast & I
am boiling.
Somewhere, lost in the eddy of intimacy, beyond frustration
or hurt or anger of the past, your past or my past or our
more recent moments of doubt & fear—somewhere before
& after seismic collision of cultures, uncertainty of words
pregnant with misunderstanding, singeing fires that always
smoldered in the hearths of our chests—what we have,
what we’ve found, all we are becomes perpetual
aftershock
of recognition—
Time & space contract, contracting—birth pains
in the darkness shivering, shuddering, in reverse, eternally
returning to the beginning; when waters under the sky
were gathered & given name; when dry ground appeared,
& everything, everything seen that was seen was called
good.
We are genetic remembrance. We are
formed of the land & the sea. We are
all creation & vibration & exhalation
of relief in the passing of pain.
We are the bruise that love left behind; we are
not the pain itself—but the mark that remains
of rebirth.
What do I want with you?
days of wonder
the certainty of tides
to be seen
a sudden flash of light
no matter how slowly they fell
squeezing from a stone
only the weight of the rope
never stops at all
but we working
our bodies, ripe as avocados
Big dangerous
Fluttering inside
One agrees to ask for nothing
No matter how loud
would you learn the spells
That spark
what can become
new techniques for the healing of the wound
teach me to never bend again
This place could be beautiful, right?
let it be
Fine then, I’ll take it,
do the best we may
trying to—hope.
Note: A poem found in this collection of hopeful poems
Wife #7: I just want to begin by saying that I had no idea he was a criminal.
Detective #1: Hmm . . .
Wife #7: I suppose the prenup should have been a red flag; but when you’re in love, you’re in love, and you expect a happy ending.
Detective #2: Right.
Wife #7: I mean when you read a written contract that prescribes immediate death upon opening the door to a linen closet you think it an editorial mistake.
Detective #1: Why were you so enamored with Bluebeard?
Wife #7: He never shaves but awakes every morning with a day-old-beard. Of course I was completely unaware of this fact until after the wedding.
Detective #2: When did you first suspect your husband’s indiscretions?
Wife #7: I saw bloody footprints leading from the door of the linen closet to the master bedroom, red flag #2, but I chose to ignore them, it, the red flag you know. Who wants to be accused of hysteric paranoia?
Detective #1: Of course. Can you tell us what led up to your dialing 911?
Wife #7: Well . . . I really don’t want to think about this . . . my husband was in Las Vegas for a business conference. Not unusual. But we were expecting overnight guests before he returned home and I was looking for the 1500-thread-count sheets. We live in a mansion in a high-rent district, you know, but he’s very stingy. Who hides their expensive linens?
Detective #2: What did you discover when you unlocked the door?
Wife #7: There was a lot of blood and dead women hanging from the ceiling but I don’t want to talk about that . . . I had no idea he had so many ex-wives. He had a lot of secrets.
For you, Mór-Rioghain
How do I survive each orbit unscathed?
No angelic visitations invite holiness into my bed
or to my meager meadow. One crow, an acolyte,
grips my fence and evaluates. Who worships
at the foot of the towering fir up the road,
this crow or me?
Day washes vision in white light.
Perched on my porch, I flip through the news in my palm,
read of hypocrites suddenly bitten by rancor.
They ruffle false feathers yet ignore pleas from constituents.
I disbelieve pseudo-seraphic senators.
I petition the fence-fixed passerine to raise one foot,
to sign a benediction, a ward for safety.
My curiosity has become carrion within this pandemic anxiety –
to dig dirt alone in my garden,
to communicate with my neighbors by waving but no closer.
Then I shut and latch my door
to escape judgement in the crow’s eyes.
The word is sacred and the pen is sacred.
The paper is sacred.
The graphite is sacred.
The ink is sacred.
The sacred eraser erases the sacred mistakes.
The language is sacred and it created all the other sacred.
As was known to the dusty scribes of Hammurabi.
As was known to the Quetzal feathered priests of the Jaguar God-King of Tikal.
As was written on the ink stained hand of Guido de Arizzo.
The quarter note is sacred.
The longa and the breve are sacred.
The rest is made in sacred silence.
The vibration is sacred,
Sacred pressure waves on my eardrum,
Inspired by the sacred writing on the sacred page.
The staff is sacred.
The double bar line is sacred, a sacred finality.
The images inspired by the sacred word and sound
Are the gift of the sacred,
Given freely all the time without any thought.
To make you free.
To give you thought,
And love,
Pain and sorrow,
Joy amid sadness,
Comfort in loss.