A fox slinks by the roadside,
her kits tucked in the brambles,
knowing hunger, yes,
and maybe cunning,
but not envy, not shame.
A hawk snatches the slowest sparrow—
there’s no malice in her talons,
no market built
on the feathers of the fallen.
Yet we,
lords of opposable thumbs,
make of survival
an artful cruelty.
We build walls not just to keep wolves out
but to lock neighbors away.
We take more than hunger asks,
feed on fear,
turn bread into weapon,
give names to the other and write them in blood.
No deer ever sharpened a coin
to divide a meadow,
no rabbit forced her kin
to dig a ditch for a king’s gold.
Only we count our worth
in acres and gods,
only we sing hymns
as we torch another village.
Yet—
watch us cradle the smallest hurt:
a man lifting a child from floodwater,
a woman weaving a blanket
from her only thread.
See how we hold funerals
for the fallen dog,
write elegies for whales,
weep for the forests we destroy,
curse ourselves for loving
what we later leave in ruin.
Animals love without irony—
they lick their wounds,
nuzzle the newborn,
turn their backs and are gone.
They do not write sonnets,
do not burn books,
do not build cathedrals
only to close the doors.
But only we
see a stranger’s hunger
and name it our own.
Only we,
who have walked in violence,
also walk in forgiveness.
We are the worst:
greedy, vengeful, forgetful—
capable of atrocity
even against our own kind.
But we are also the best:
capable of mercy,
of poetry,
of laying down the sword
to plant something green
where nothing grew before.
What a strange thing it is,
to be human—
to carry both plague and promise,
the fox’s cunning
and the dove’s return,
to be both the flame and the hand
that snuffs it out.
We are the trouble
and the tenderness.
We are the wound
and the healing.
Perhaps that is why the world
keeps spinning us onward—
because nowhere else
has nature made
such a dangerous,
such a dazzling,
mistake.
They said
there’s something that needs a closer look
a smudge,
a blur on the clean white sheet
of who I thought I was.
I said okay,
but inside, something stood up.
Not fear
something older than that.
Steel in the spine.
Fire under skin.
I’ve carried worse
and walked through louder storms.
This?
This is just a maybe
trying to rattle my windows.
Let it try.
Wanted: Steps for saving the seeds
of my arugula.
Toddlers and doddlers
exercise care
climbing stairs.
I’m at a stage in life where I feel
like both
Let’s just love it.
Let’s go over it like a sore gum you tongue for pleasure,
watch it strut around the room in boxers and a half-buttoned Oxford,
wearing July and unspoken things.
The poem winks and waits:
it plays the long game,
longing with form,
desiring with structure,
trysting with time.
The refrain is a striptease.
Every time it returns, it reveals a little more —
not skin, exactly, but heat —
not the body, but the gambling on the body.
And the register is genius —
casual, cocky, confessional, queer —
villanelle as game of gay chicken
where no one backs down.
Admire the discipline behind it,
the control it takes
to keep that form
from buckling,
to ride the poem’s swell
and not break until the end.
“I bet” is flirtation as speculation,
as lyric economy,
risk in the conditional.
Some poems don’t bet:
they become the table,
the chips,
the gleam on the dealer’s garter.
And you
are already sitting there,
sleeves rolled up,
speaking through poems,
staking your life on them,
all in.
So, yes.
Let’s just love it,
until the strawberries are ripe,
until the troops get home,
until the shoulder pads come off.
an ekphrastic from a photo, Father & Son Venture Up,
by Michele LeNoir (me), 4.19.25
Your son, in tiny tan rain boots, jean shorts,
and white tee, stands halfway up wooden steps.
You, behind, against a clear blue sky, hands
at the ready. His grip tight to a rung,
his same blue eyes lit up. He grins,
his blonde head turned towards a new slide.
But he pauses, turns back toward you.
You, donned in soccer gear,
say, Go ahead, Bud, and he does—
up four more steps!
With each step, your proud smile grows.
Your shared joy and pride and love—
and a penance for adventure—
all clearer than any day could be.
Some say the lesson
Is to make no promises you cannot keep
Or about deals that seem too good to be true
Or something convoluted about price gouging or politics.
I say the lesson
Is to be mindful of your actions
And to quickly fix mistakes that come to light
Lest the innocents and children be forced to pay the price.