Al Fresco
From a distance I watch the waiter bring a mound of chicken salad on a bed of lettuce, your usual order, to the table. We used to eat together here, just like this, al fresco. The chicken salad has sliced grapes in it, I think, maybe some walnuts. Your friend, your new girlfriend I’m pretty sure, is having quiche, probably Lorraine, one of my favorites back then. I watch as the waiter pours the coffee, the steam rising from the mugs. The little pitcher of cream. The silver bowl of sugar. There’s a basket of croissants, a saucer with pats of butter, and a single flower, a yellow dahlia, in a tiny vase. You don’t see me because I’m standing in the shadows of the alley across the street, and because you keep your eyes on her. Even if you happened to glance in my direction, you might not recognize me, understandably. I almost think I could walk right up to your table and ask for some change, a few bucks, and you might not look up at me. Even if you did, you still might not know me. But I won’t test this. I refuse to say a word to you, a single word that would ruin your beautiful brunch on this perfect Sunday morning. This is not your fault. I am not your fault. And so I wait in the alley, watch you chew and swallow and sip and smile at her, watch her smile back, watch the two of you rise and walk off down the street, holding hands, until you’re far enough away and I make my move. I run across the street to your table and scoop up the chicken salad left on your plate into a plastic grocery bag, along with the crust of the quiche, and set off in the opposite direction with the busboy’s eyes on my back, crushing the dahlia in my fist.
26 thoughts on "Al Fresco"
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So many fine and well rendered details, Kevin. And I love the awareness that “I am not your fault.” That last mad dash of an act is priceless.
Thanks, Bill! I’ve been doing some flash fiction lately, which I don’t think is exactly poetry but maybe close enough for government work 😏
Poetry is what you make it (a little like beer). I consider this to be very good poetry. The details make it, so do the blanks you leave for the reader to fill in. Well done.
Thanks, Lee!
Golden. The intimacy of this voyeur was almost like entering a Hitchcock film Kevin.
I felt it this way too
Thanks guys!
I was thinking of the voyeurism of a Hopper painting.
I love that, Wayne! Hopper is a favorite of mine.
I really love the narrative arc of this. It eased me in with a sweet little reverie and then envy, looming, stalking, a good bit of digging within, and then this riotous act of almost pathetic, hilarious, absurd, but strangely relatable theft—the busboy’s eyes on my back, I love that. I feel his bafflement, but also now maybe he’s taken on the mantle of being a protector and steward of forgotten chicken salads? Al Fresco’s especially fun, too, as if to insinuate that it’s a fresh kill.
Thanks, Goldie! I appreciate this engaged reading!
The details of this really loft the scene into cinema. This is a masterwork.
Thanks, Coleman. We need to watch a movie down in the basement soon.
Funny you should mention that 🙂 I’m working on a little basement sumfin for tomorrow.
Can’t wait
you really gave ‘er your all.
everything but the tip.
Ha!
Wow! I agree that this feels very cinematic. I can see everything so clearly in my mind’s eye.
Thanks, Chelsie!
I love the sense of mystery in this piece. There’s a lot of storytelling you’re hinting at in the margins of the poem.
Thanks, Shaun! I love that you’re seeing the subtext here.
The ending gave me chills! Incredible!
Thanks!
So intriguing. Love the ending.
love the selection of details that make such a perfect, oddly quaint color palette
So cinematic! I can visualize it so clearly. And of course it was a single dahlia. Perfect.