artist’s* anguish on three panels
panel one
ruffled zinnia petals of light orange
spider out among gathered bunch
with hues yellow, pink, red. their petals
tight, neat. but this peachy one,
free-wispy-light. petals that weigh
only a few grains, but sturdy.
panel three
a tyrian purple zinnia takes
center-hold. muted others close
behind. reds, violets. fringed in white.
unforgotten. more petals weighing
only a few grains, but sturdy all.
sturdy, weight of world taken on.
panel two
this middle panel stops us. thirteen
black-eyed-irises among petals,
among butterfly wings. eye-irises
that dance, that haunt. eyes open
to all. weightless. of familiar song–
story of lost but not forgotten.
renderings of collective grief, yet celebration
of life? we look into her black iris-eyes,
into our own, into high-resolution-with-firm-
resolution into forget-me-nots into
artist’s intention to heal
into inside
*Maria Magdalena Campos: Butterfly Eyes (for Breonna Taylor)
4 thoughts on "artist’s* anguish on three panels"
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The details are so lush and descriptive! Artists talking about art is so meta.
ekphrastic
I like how you don’t
go in the expected order
and a homage to B.T.
on this Juneteenth
holiday
Describing a work of art
has always been hard for me.
You do it vividly and with impact.
(Your mention of Breanna Taylor
is one of the few references to Juneteenth I’ve seen today,
except for no mail.)
A great ekphrastic poem. Well done.