Weatherhead & Wormwood
room, when there’s
no small talk, only body doubles
and when I think of you,
it’s the taste of absinthe–
and dissipation
on the phone. On the phone
you know me by my breath
and the stressful manicure
taken to limbs, rotten,
a date with an aunt that
flogs my ass—
full of asthma, a strangled assonance
escaping. The dives in laminar
flow—horsefly strictures enunciate
the fuck! Whatever! I see her,
inviting medicine mossy
coaxed to my lips.
Yesterday, only then
was I happy—
I was happy, and she cries
My mother’s sister,
rage in a bottle,
the one she never loved—
for today, though
when morning comes
we go in clouds
and you ask me
what it really means
to shine—
and both pray God by night
be our incense-tumbling-thurible
a pillar swirling fire—soothing warm,
and I sear you in buttered sage,
snatch out the fishy bones,
and burrow deep through
the ragamuffin furniture
that doesn’t bother me, but she takes
15 dollars to a thrift store where
your burst head adiposed
addles—scoop! a bowl
of voodoo
snakes sell a low cash loveseat sale—
my love’s snazz and character charms me,
Grace slings the meat, and returning
I’ll bore you, and bore,
and bore you down to the seeds
of our sometimes union
also a table’s worth of three pounds
of food to our place in the rain
where I cook
the succulent fruit beckons
hither, hither unto my heart where
I’ll eat them both.
because our children surprise
more
than they argue
What are you thinking
my old hobbyhorse?
I think best to forget.
and no one here will argue
at all.
Not for several weeks of rest.
This is dissociative shit—
all we ever were to each other
that’s it, that’s who we’ll be.
9 thoughts on "Weatherhead & Wormwood"
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It really works! You’re a word witch, Manny Grimaldi. These two poems belong next to each other.
ha! ty bill!
Wordsmytheory.
Hot from the anvil
and dunking.
Bravo!
So many great lines here. I love the movement and “be our incense/tumbling-thurible/a pillar swirling fire—soothing warm,/and I sear you in buttered sage,”
Amazing- I learn so much from your work! The physical separation on the page, with such imagery tagging and touching, back and forth…. I’m in awe as always.
Wormwood and Weatherhead started as night and day poems about two relationships. Then I began to see how they could play together, doubted myself, asked Bill Brymer what he thought, and he said go for it. This precise iteration of the contrapuntal form was introduced to me by a colleague in 2024 Poetry Boot Camp class, where you can read the two columns down, then zig-zag top to bottom. I have to credit the gods and titans on inventing this. It kicks ass.
We depend on each other!
Pulls me and won’t let go.
Fuck!! This is one of the best ones I’ve read in a long time Manny!