Brush Creek Morning
The paths I wander
beneath Appalachian foothills
wind along Brush Creek,
where limestone glimmers below the water’s skin,
and crayfish slip like secrets
under shelves of ancient shale.
I pause at the edge
where cardinal and goldfinch argue among sycamore crowns,
their songs threading through dawn’s sapphire hush,
while a chorus of frogs—spring’s viridescent musicians—
fill the low places with their tremulous praise.
I breathe the story of Berea:
air sweet with wild blackberries
and the distant cut of hay—
fields stitched with Queen Anne’s lace (or Hemlock – sometimes it is hard to tell the difference)
and the bruised colbalt of chicory,
each blade and blossom
shaping memory with gentle hands.
Here, the woods are thick with pawpaw,
hickory, sugar maple—
roots knotting deep as kin,
moss soft as the prayers
whispered on Nana’s porch
when storms pass through and lightning writes
its runes above the ridges.
How could any painted canyon,
any orchid’s impossible hunger,
awaken such quiet fullness
as these shadowed hollows,
these limestone fence lines
stitched by the invisible labor
of rain and time and roots?
Neglected memories come softly—
the rasp of gravel under bike tires,
laughter echoing down the railroad tracks,
the taste of creek water
drunk from cupped hands
on a day so hot
even the cows in the pasture
move only for shade.
Every inhale brings the wild spice
of goldenrod and sassafras,
the ancient patience of cedar,
the sharp verdant promise
of ferns unfolding among rocks.
This is the land that tempers me,
sorting what is sorrow
from what will be remembered—
a land that quiets old noise,
that softens the tangled ache of longing
like river stone turned smooth
in the palm of a returning child.
And always,
beneath it all,
the silent persistence of home:
spring water and hillside,
foxglove and field,
the low lazy mist that gathers
when evening calls
and woodsmoke threads
the valley’s hush.
Perhaps it is only a pause
to catch my breath,
but here,
in the soft light on the ridges,
I remember the joy that waits
in coming back—
and in the small, steady wildness
of staying.
14 thoughts on "Brush Creek Morning"
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I love Berea! This is a beautifully crafted poem.
Thank you Jazmine – I love it too. It’s a wonderfully magical place.
What a stunning poem! You craft vivid images that place us right there with you.
“This is the land that tempers me,
sorting what is sorrow
from what will be remembered—”
Yes!
Thank you – we both wrote of travel and being saved today.
There’s truly nothing like the Appalachian foothills! Your poem brought me home to the beauty of nature and our relationship within it. I felt like you plopped the reader down in the middle of a Mary Oliver poem and allowed us to savor it, no matter how physically far we actually may be from this scene! Bravo!
I must confess, I had to google Mary Oliver – embarrassed but truth. And what a compliment – thank you very much! I try to make you believe and feel what I feel. Which is exactly what we all do without poems – nothing unique with that. 🙂
I love love “How could any painted canyon,/any orchid’s impossible hunger,/awaken such quiet fullness…”
Thank you Shaun – thank you for seeing and breathing it.
I lived Berea for 4 years, including summers. I had friendships of professors, and east and west pinnacles, looking out where Daniel Boone may have stood. There is an air about Berea that is reflected in the eyes and smiles of its people.
thank you – it is a very magical place.
a total moving sensory experience
Thank you Gaby. I will bet you have some wonderful pictures of the landscape too.
I am far away and am grateful that I return to home in your poem. Thank you!
fav lines: crayfish slip like secrets
under shelves of ancient shale.
songs threading through dawn’s sapphire hush
rasp of gravel
ancient patience of cedar,
adore: fields stitched with Queen Anne’s lace
Pam – thank you for your feed back and for coming for a visit – you are welcome at my place any time. 🙂