Instructions from the Creekbed
Little sleeper, little root—
breathe slow now.
Outside, the world is teaching itself
to you already:
Watch how the ragweed lifts its fleeces
in the cracked & empty lot
beside the trailer—how its stubborn bloom ignores
the burn pit
half-swallowed by the grasses.
Notice the creek’s low amble—
thin thread of a brown-painted blue–
let it be your eyes,
patient as breath in a sleeping chest.
It knows nothing.
It remembers.
See the light? Not the hard white
of the gas station lot at midnight,
but the orange floodlight: a slow star.
Let a moth-hung dark accompany
you there—watch its frail halo
slick on the damp grass
when the angle’s right.
You’ll inherit this:
the bent fence by the old root cellar,
the lying mockingbird
in the dry and rustling corn,
brown–sudden orange–
sulfur-yellow in the afternoon.
Inherit the rust, the runoff,
the stubborn ditch still carving
its name through the very mud.
And when the world feels thin—
like old paint over old wood—
remember the thrum of water
in the heat, the far train’s moan
which stitches all this together,
your own blood’s soft drum in your ears
against the quiet.
Rest here, small watcher.
Dream deep.
Tomorrow, we’ll learn the names
of flowers and weeds that thrive in gravel.
We’ll listen close to what the broken
things have to tell us,
over and over.
32 thoughts on "Instructions from the Creekbed"
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… the weeds endure,
like roaches…
That’s for sure–there’ll be weeds long after there’s a me!
“Little sleeper, little root—”
I am mesmerized from the first line! Gorgeous poem. This phrase, “And when the world feels thin—” is absolutely wonderful. It’s all wonderful.
Thanks so much, Michele! I was thinking about some kind of lullabye.
“What the broken things have to tell us,” — there’s the title of your collection Shaun. Looking forward to reading it!
Shew, thank you, Bill!
The language in this sings! It’s also a very oral poem. It needs be read out loud. “Thin thread of brown-painted blue,” ” moth-hung dark,’ “stubborn ditch still carving/it’s name through the very mud.”
Thank you, Linda! I always kinda end up mutter to myself when I write for sound and it probably looks sorta comical!
Oh !!!
Wow! The whole thing shaun! The whole, low ease of it ….the dashed lines…the landing. Everything about this says these yes these are the colors of the world.
Thank you for this. Thank you
You’ll inherit this:/
the bent fence by the old root cellar,/
the lying mockingbird/
in the dry and rustling corn,/
brown–sudden orange–/
sulfur-yellow in the afternoon.
Shaun i just read this out loud to Linda and she said “Oh! God!! Lord!”
It is sooooo good!!!
This stanza really stuck out to me as well!!! Fantastic write Shaun. Definitely my favorite of yours this year.
Thank you so much!
Thanks you both so much! I’m happy it hit those sound and language points for you. I got to read this at the Kentucky State Poetry Society open mic tonight for the first time!
Everything about this poem is divine–from start to finish! Bravo!
Thank you so much!
I love all of this. The title is exquisite- we have so much to learn from a creek bed, and you provided delicious details throughout. Beautiful poem.
Thank you, Virginia! I think the creekbed knows more than me for sure
The lessons you teach us all with this poem, Shaun! Yes!
“how its stubborn bloom ignores
the burn pit
half-swallowed by the grasses.”
Indeed!
Thank you! 💛
I’m speechless, well, almost. LoL Really, this is beautiful. You don’t lean on “the expected,” but give us surprises in the poem. You see the world through a remarkable lense in this poem. Then, the WAY you tell us what you’ve seen though this lense. This really is a remarkable poem.
Thank you so much for sharing this with us!
Thank you so much, EE!
So much yes! The first thing that grabs me is
“Outside, the world is teaching itself
to you already:”
Of the italicized lines, these are my favorite:
“See the light? Not the hard white
of the gas station lot at midnight,”
but who is speaking there in the italics? The world?
That last stanza is gold. I could see “What the Broken Things Have to Tell Us” as a book title.
I also really love “Inherit the rust, the runoff.”
Thank you, Tom! I might have to steal the title from you and Bill 👀
I think the italics are coming from “the world” (in the landscape of the poem), as if the speaker is recounting a story they’d been told.
All of the above, and spoken in such a tender voice. Amazing!
Thank you–I think we all could use more tenderness, Sue.
Stunning- especially love the final stanza and “patient as breath in a sleeping chest”
Thank you, Austen!
Shaun, this poem is a gallery of images, which I imagine walking through! Brilliant! (And I need to learn “nature names”–I am clueless!!)
Thank you, Greg! I have a medium knowledge of about 3 or 4 trees and a few grasses and once I run out of things to write about them, I’m through! 😛
Sometimes I have to read a poem a few times to appreciate it — the fault is mine, not the poet’s. That’s what happened here, but it was worth it. I love the image of nature schooling a root. Beautifully written, imaginative, celebratory.
Thank you, Lee! I appreciate your comment!