How
In February, clouds—huge charcoal
smudges—perched on pale grey sheet
of sky & would not leave. They pointed
to a horizon I did not believe in. How
to sail to a better place I could not see?
Fires crackled inside, but land shivered
in barely-green grass as it met complacent
waters, unconcerned about brittle river birch
doubling over in wind & the small houses,
mere boxes, even the one that pealed a dirge.
With such an expanse overhead—mottled, soiled,
dirty graphite on tarnished silver, shapes of vague
arrows, bottoms like rough wood shards, edges
as random as the universe—how can a head
not be bowed under shroud-thoughts?
April rolled in, displaced winter sky with
its rain, softened earth, greened blades,
darkened bark of pine & hickory, then
peeled back firmament’s flotsam & threw
flashes of light on earth & wave.
Now June waltzes in to the tune of cardinal
& bullfrog on a dance floor with an
embarrassment of blooms—coral bell
& coneflower & lavender gushing from
warm roots & topped with purring bees.
How could I not foresee a sky of solid
cerulean, an ocean under which I
could soar, drink storms, skim
puddles, savor sun-&-shade
filigree on ground, navigate
a soft drift to a rose-gold
horizon, morning-wide?
6 thoughts on "How"
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Gorgeous! The imagery is profound in this, and I love the questions. They make you stop and wonder. “Purring bees,” now why didn’t I think of that.
Thank you!
Lovely, Taunja! I especially love the penultimate stanza and how the questions get answered by a rhetorical question at the end.
Thanks, Nancy!
Gorgeous how you paint the passage of time! The opening really draws in the reader:
“In February, clouds—huge charcoal
smudges—perched on pale grey sheet
of sky & would not leave. “
Thank you so much, Shaun!