after Elizabeth Mitchell

Before the willow,
the fence,
the coffins waiting in rows,
she stitched a flower
to witness the names she kept
in the center,
rooted in the space
between sorrow and resolve.

Some griefs are too deep to piece.

At the cemetery’s gates
she placed
her signature in red,
spilling out in revision,
bordering the path:

a roseberry repeating
on calico cut from school clothes,
from scraps worn soft
by boys buried in Ohio.

Each bud a word,
each leaf a memory pressed
between thimble and threadscript —
for remembrance,
not forever.