Transition & Turn, 2026
I stand astraddle two extremes:
Behind, the public park is jade and bathed
in late day gold, the sun exhaling
glints and ghosts and writing solar glyphs—
a missive to his consort moon, and sighing
it’s your turn, Love. It’s your turn.
Solace spreads her blanket in the green
inviting Solitude to lay him down
in days were days before and now
but days were no more picnic
than today. I know this need. I know
that need to nurture some nostalgic child
in noctilucent, narcoleptic sleep. They touch,
their carnal claws concealed, their incest
giving birth to what-once-was,
to might-have-beens.
I can’t go back. I won’t
go back.
Ahead, the city council’s played its hand;
five acres stripped of life and broken down
to red-clay-dirt and graveled ground. It hurts
to see the damage, see the catastrophic drop
and shattered skeleton of earth at hand of man.
Here, there be dragons.
Here, there be death.
Here lies what could have been, behind a stone—
and still as stone, and ancient bones,
the fields have turned to monuments
of mortality. Creation cries for consciousness
and peace becomes a conscientious
objection to the war.
And yet I turn. And yet I see
a vision of the coming days, a schema to the mayhem
of a broken-open shell. Even pearls know they were once
the spit and spite of mollusk fault—those soft and fragile
bodies wrapped in calcium and carbonate—until
I think of what it means:
There is meat to be eaten. Opalescent truths
to be seen. And not for sake of eating, seeing, no—
it’s just the cost. It’s just the price to be paid.
It’s the way our master works His hand, His earth,
His children for His children’s sake.
There will be ballparks here.
There will be freedoms here.
There will be joy.
What looks for now disorder, disarray,
is but foundation to the coming days.
Rebar reaches to the sky, naked blood
of rust against the blue. Bedrock
sleeps in mounds awaiting breath.
Dozers, backhoes, cranes sit silent
amid the mess. Everything is
potential.
You make me see the beauty. In my mind,
You are a whisper of dancing images
are blossoming, are flowering, are
opening my eyes to see the people–
stands of people full of laughter
and the smiles upon the faces
of all the ones to come. All
the ones will come–not to see what
You have built, but be together
in one place, and in one mind, and in
one body. I see You, Lord. I hear You
writing that love story, writing that love letter:
It’s the turn, Love
It’s the turn.
19 thoughts on "Transition & Turn, 2026"
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great work
you address the dilemma of what it means to be human
Thank you, Jim
Wow!
“To everything there is a season”.
Love the use of the word “turn” here, along with the vivid setting and the adoration of the earth and — I think — a life partner.
I mean God is a life partner, too.
Fantastic– and the use of white space keeps us going.
Happy LexPoMo. My love to you and yours.
Thank you, T.
She isn’t mentioned explicitly in this one, but she’s behind every one of them ;). As is God for the past year. He’s definitely all over it.
So much music in this poem from the very first long “A.”
is jade and bathed
in late day gold, the sun exhaling
glints and ghosts and writing solar glyphs—
a missive
I adore this conscious music!
Thank you, Roberta!
Had to go back and edit (even after I posted) to make sure it carried that throughout. Some still not there at all. But really appreciate you appreciate what came through!
Wonderful progression in this poem, Joseph. I hear shades of Dylan.
Even pearls know they were once
the spit and spite of mollusk fault – wow
I thought the same thing: Dylan…
Thank you both!
I confess, going to have to go back and review Dylan. I’ve forgotten his voice and feel since college days.
“There will be ballparks here.
There will be freedoms here.
There will be joy.”
Here becomes there and there and there. Awesome repetitive.
Nice to have turned from The corner from May and to read your work again.
Thank you, Coleman.
Always a joy to have yours here again.
The turn indeed, thank God.
👏🙏👏🙏👏👆🏼
❤️
Back atcha, Bronson
Love the way you use language: “the sun exhaling/glints and ghosts…” yes!
<3 thank you, Shaun
Your mastery of this craft never, ever, EVER, ceases to amaze me! Just wonderful, wonderful work!
☺️ Thank you, Philip!!