Wan ode among muttering teakettle rain clowns, INFP-T
I’m in a unique
I’m in a unique
atop this crest
the divide of this continent
waters flow either left or right
Atlantic or Pacific
is it here that choice occurs
that comprehension of one or another manifests
the sun rise hints at the edge between sky and craggy mountaintop
the breath of bird twitter wakens the window pane
a slight shift in the air suggests spring long dormant
so high above populated concrete and asphalt
I spend five more days
spend or save
pay out or earn
here atop this mountain the world of existence means something different
I won’t stay for the final song
this is a temporary expenditure
I can though weave the moment and minutes
staring from this vantage
integrate what it affords
and carry it in my pocketbook of time as I keep on this trek through fields and flora life
What best improves the farmer’s soil?
What gives reason to our toil?
What makes us work until we boil?
A bumper crop of hay.
What’s better than money in the banks?
What makes us bow our head in thanks?
What makes me reach and stretch my shanks?
A bumper crop of hay.
What makes a buffer against my fears?
What puts weight upon the steers?
What makes my mules find second gear?
A bumper crop of hay.
What helps me face the winter’s bleak?
What makes me smile from cheek to cheek?
What’s the greatest treasure I work to seek?
A bumper crop of hay.
What tops the milk with the thickest cream?
What haunts my ever waking dream?
What puffs my chest to split the seams?
A bumper crop of hay.
We work it hard between the rains,
With it there is no need for grains,
It’s a math that challenges our best brains,
A bumper crop of hay.
Once it’s baled and barned we take our rest,
And count ourselves among the blest,
It’s security that gives such zest,
A bumper crop of hay.
It doesn’t have to be the blue iris. Give me the splendid silent sun. Give me a field where the unmowed grass grows. A blue true dream of sky or a few small stones. Just pay attention, tasting touching hearing seeing, then patch a few words together. I thank You God for weeds in a vacant lot, fresh corn and wheat, spontaneous songs, nights perfectly quiet, silence in which another voice may speak.
(This poem is composed of lines and phrases from “i thank You God for most this amazing” by e.e. cummings, “Praying,” by Mary Oliver, and “Give me the Splendid Silent Sun,” by Walt Whitman.)
the baby points to
violets in the window
and gurgles as if
to say “look at that
so purple” …
his first haiku moment
I wear black and some gray when I’m with her
Stay intact with my act, stay invisible
But as soon as she’s gone, it’s green green, green and some brown
Off on my own it’s joy, joy, joy, not a frown
All the derogatory things she can say to me
Are derived from her song of self loathing
I hold my peace, I’m inclined to forgive and forget
And I do my best to help her hold hers
Two raised beds, one with cherry tomatoes
and peppers, the other gone wild, abounding
with weeds, a failed organic compost
of wood shavings, food scraps, coffee grounds.
In the plastic faux whiskey barrel halves
a crowd of pungent mint, the other has
a strawberry struggling to adapt.
Nosy dogs, dandelion fur, causes
for my concern, leaves wilt, soil dries, stems bend,
not a question of will squirrels come for
the ripening fruit, take single bites, but when.
The earth spins on and on, hour after hour.
There’s so much to worry about each day
when in the end one has so little say.