A coming-of-what smug, undulous something sort-of bildungsroman
The straw-hollow coleus bones shot
through with thistles, the nacreous
tangram fronds once tickled
or splintered to dirt now swollen
in one small pink fuzzy flower found
clung above prickling fins of an olm
or a dragon—the hourglass seems
just sand encased in sand like
lake water worn to a glaze
or the glazed impression of
some supple girl come
morning bent scorning
her glorying womanhood, hunchbacked,
acned, cracked, here half- erased—
and yet what wisdom is traced in it, what
ruffled rubbing of how many
bone char impressions of
gods burst into but dust
or a farrow of fire-
flies thrust up over the
gurgling stomachs and
buckling hummocks of
inchoate tors tucked under
these teeming strip mall medians—
milk swoln up into frogspawn bubbles
a toddler, bored or at one with the world, just
tsentsaked into the roar of a patchwork apocalypse,
churning a world out of argus-eyed honeycomb,
cells or cels or cellars or maybe celestial
civilizations cramped in the gurgling
glass that you’re asking her only
to treat as a vessel one simply
suckles, discreetly emptying
only, don’t blow bubbles,
my dear—for fear of
what smug repercussions—
what courtly decorum, what
tasteless spezzatura trying to
tie its shoes as well as a child might
echo Jesus, Romulus, Remus, or any
one anyone’s ever declared a euhemerist
God or a lollygagging genius, tickling
gold out of bubbling brain farts—
3 thoughts on "A coming-of-what smug, undulous something sort-of bildungsroman"
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Shew. I love:
the hourglass seems
just sand encased in sand like
lake water worn to a glaze…
This is a beautiful poem. Great imagery, balance of the material with the etherial, and every darn word pays its rent. Thank you so much for sharing this poem.
I like that half erased bit. The space really makes me feel you erasing it.
It longs to be read aloud, as do so many of your poems.
Seems a fitting description of the poet, I’d reckon.