Forgive me, Father,
for I’ve moved in.

By day, I wear trainers and a canvas tote,
admire the fresco fragments.
But when the bells go still
and the guard bolts the north door,
I slide behind the unicorn tapestries
and sigh
like a secret.

I live here now.
You may have heard me
treading the Fuentidueña apse,
sweeping the limestone with my hem,
drawing water from the courtyard fountain
in a chipped twelfth-century bowl.
The sound of quill on vellum?
Also me.

I levitate by St. Margaret
during evening meditations,
catnap in the millefleurs,
nibble on stale wafers and docent’s alms.
Sometimes I steep mugwort in holy water.
I dream better that way.

Each night I visit one of you —
last night, the Bishop
with the falcon stare and missing hand —
tonight, the Father of the Broken Nose.
You seem understanding.

I tell you this because
the stones here listen better
than the living ever did,
because you don’t interrupt,
because you’ve seen centuries of women
wishing for peace
and settling for quiet corners.

Mind if I stay?