Everyday Silence
The bored and neighboring children were held
together by a kind of glue—pasty white snowfall
heavier than any cold father’s glare at Midsummer
when his luscious arbors were used as ladders.
It was January when Silencío de Cadadía
was out hunting in the magic of the country,
the plush coming to earth, all slush, never relenting.
Igloos and trenches dug for iceball warfare,
the babies were sure of themselves in their violence.
Mothers are always glad for the chance to sleep
while the children sink thigh deep into the earth.
The ground was hungry for accidents,
the jolt of slippering into the mushy pack
gave immediate way to their need to make urine.
No child wanted to run home hopping, so nearby
privacy was necessary. It was better than going
in your pants where you would be discovered.
Silencío’s child Bravissima de Cadadía squatted
in a patch of frost to the north of the alley, the steam
splaying out from all sides of her thighs.
Then she broke hurtling through the fragile ice
into the cavern of Lucio de Bonaventura’s deep well.
Lit up and splashing with sudden sunlight it received
the child screaming and tumbling to a sickening crack
of all her bones like a chicken’s neck unto a limpness
approaching death, where she lay in freezing shallows.
In the cooking of snails a large pot is used
where water filled with wine, stock,
and large onions is brought to a rolling boil.
Salt rounds the rim of the pot. Live snails
are thrown in. Some climb the onions
and consume them frantically. Some attempt
to escape, only to be driven back by the sea salt.
Eventually, they all fall.
Bravissima measured time as a doomed snail in the pot,
the freezing water was too savage a thing to tame.
Tenacious, even she could not escape.
So she fell fast asleep.
Bravissima came to her father in a waking dream
while he sought her in the dead watches.
Silencío de Cadadía had nothing left to give.
His wife, Persephone was unimpressed with the day’s events.
She smiled on, and began to work, because she had to.
We must imagine her happy.
14 thoughts on "Everyday Silence"
Leave a Reply
You must be logged in to post a comment.
Wow! The story caught my attention right away. I could see it all unfolding. The aside of cooking snails was fascinating. That last twist with Persephone was unexpected.
Snails were unexpected for me. Besides, they are soooooooooooooooo good. 😊 I know, morbid.
in all seriousness, thank you for sharing your observations. and yes, persephone was intended to jar.
Intense story and use of narrative poem …
This –>
“Bravissima measured time as a doomed snail in the pot”
Kevin
thanks Kevin.
This feels like a clash of culture and myth- wherever we are, whoever we are (snail or child)- caught in the same cycle. What an elegant poem.
Very much appreciated. I loved the one about the potatoes today.
Ann said it so well — a clash of culture and myth. So many parts of this poem are musical and romantic which is interesting and impressive since you are talking about peeing in some of it!
Amy, not Ann. Sigh. How do you make corrections in reply mode?
hahahaha…. I took a major risk with the pee pee interlude.
“The dangers of pee pee outdoors: pitfalls and considerations.”
Thank you Linda. I loved your poem today.
I feel like I’ve been taken on a private tour through snow to witness this poem. And I am invisible, but feel everything. Nicely done.
You are anything but invisible dear
tour de force. your poems are great. how will the anthologist ever chose?
😌