Mingus en Enfer
Mingus en Enfer
This meat is the blues,
meat my favorite, a color—
the running blues bleeding red. These are reds
victorious in autumn, from now on there shall be
no more virgins, and no more marriages
when the street lamps stab the pools of water
in the gutters green, in the orchard flashing money—
the jungle in the pink clubs beneath the curb.
Taxis! Stop to hear him, pound and hop, Duke’s piano,
the upright coffin of rumbling stallion’s strings
break and curl, crack and split, lengthen lacerate an eye
with the drummer’s fluid crashes and booming toms.
Charlie Mingus growls a throated cry a tremulous shudder—
a full bodied wine the Spanish waiter flies to bring
to table for twelve guests of maybe sixes, sevens, nines.
The swaggering devil lays his head against a wall,
music is his coronation of roses—yet I remember
confusion, sifting a comprehensible honor and beauty—yet
music, making speech unable; sent far away and alone;
our pupils were white-a-freezes as if we’d seen God. My God.
Abigail Adams held her children in the threadbare Massachusetts winter
and the British cannon showed no sign of slowing,
the ground molted no feathers—and the boats brought no coffee.
Providence-God’s winter gladness was a labyrinth of quiet madness—
and Charlie Mingus perched harpy atop a HiFi speaker at our side—
our intimates mad swollen—limbs congealed—impotent on fire—we were
souls cleft. My lover’s affluence crumbled slowly with every passing beat.
The voices of Continental soldiers swelled through the bay whispering—
Mingus—hell. Mingus—blues. Mingus—angel, beautiful and Black.
Mingus—hornet buzzing SoCal sun to a swing and flamenco strum: castanet, guitar, dancer, and drum.
We saw red spilling on the fields once green, will my Friend return from
Congress in Philadelphia? We’d seen the scrim of morning lit over the East—
Mingus—now a Nor’easter beating the shore’s eggs and lemons into an emulsion.
Have you ever been married to a musician?
Your dowry is a city of dances
where nothing ever happens.
Old leftovers, fresh sandwiches.
Tongue-tied.
Perhaps
next time we should spend time alone in a cabin, surrounded by crickets—
the loudest silence possible.
12 thoughts on "Mingus en Enfer"
Leave a Reply
You must be logged in to post a comment.
Crazy weave here.
Your mind is a wondrous thing, Manny. These gazelle leaps—from autumn leaves to Mingus to Abigail Adams to that cabin—are quite a ride! The reader has to buckle his seatbelts, it’s going to be a bumpy night.
Kevin Nance! glad you caught the Autumn Leaves reference – although that is Cannonball Adderly’s most famous recording, not Duke/ (Roach) /and Mingus. I buried one of their records in there, and a solo Mingus that is unmistakable–but you’d have to be a serious freak for the bandleader to catch it. I don’t know where Abigail came from!!! She said “let me in!!!”
I love the weave. Afterall, it’s jazz. I Iike the insertion of Abigail Adams. How random is that? I appreciate the quiet and unexpected ending.
You want to know where I was aurally and metaphysically for the “loudest silence possible?”
In Gloria’s Rest.
Yes! Although sometimes the wind blows through the leaves outside in a most beguiling way.
of course, take me there. . .
“Perhaps next time we should spend time alone in a cabin, surrounded by crickets— the loudest silence possible.”
This is jazz. These lines in particular sends chills … “Duke’s piano, / the upright coffin of rumbling stallion’s strings.”
That forth stanza set my head on fire: the soldiers whispering. I mean, heck. These movements work and intrigue me. The sounds are jazz.
Mingus in the underworld? Manny, your computer types out jazz. How is that possible? Enjoyed this so much!
Solid poem. Well done!
The work you can generate in a poem-a-day format is breathtaking, Manny. Great work.