On the New Yorker Prompt and Other, Unmentioned Seditions
for Ms. Mitchell
I doubt Ms. Mitchell thought, when she said
New Yorker covers make good writing prompts,
that I’d be standing here thirty years later,
denuding these magazines with an X-acto knife,
so I understand the public’s recent rage
to purge my pedagogy of real or imagined
dissent and seditions. I keep to myself far more
of Ms. Mitchell’s words than this single prompt.
I don’t know what I’ve said that’s stuck,
that will lead to action in another three decades,
and I feel trust’s weight and measure my syllables.
But I get it. Believe me, I get it because
on the one hand, it’s just old magazines,
but on the other, in the other, I hold a blade.
12 thoughts on "On the New Yorker Prompt and Other, Unmentioned Seditions"
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I love where this poem goes in the end, Kris.
Thanks, Nancy! I was happy when I had that realization and found the poem’s conclusion.
Gotta love that ending!
Thanks! I was pleased with it, too
This is so powerful. I keep looking back to find my favorite line but I think it’s actually all of them!
Thank you so much!
I love how you bracket this poem with images of a knife and how you shift from “on” to “in” in the last line. It’s funny how a little preposition can make such an enormous difference!
Thanks, Katrina! It was the sharp edge that I was hoping would drive the poem
Agree with comments above AND my favorite phrase is:
denuding these magazines with an X-acto knife,
Thanks! I debated about that word, so I’m glad it works
At least one decade later your words have stuck with one person.
This poem feels so much like your other work yet so different. Your ability to capture everyday moments with an honest depth never fails to amaze me. This is short but sharp, simple but impactful. I love all the subtle shifts here, especially at the end. Just great.