The Beginning & End
I ramble through my old town, missing you,
even though these were never streets we knew
together. I pick up things. Then, I buy them. Now,
everything’s spread on the bed at the home
where I’m staying. & it’s all purple. It’s all you. Every
last bit of it & I don’t know what to do. My hands
stained just another envy I still own. I pick up
three postcards, the photographer an old friend.
Her expert eye fades through fields of overshot
chrysanthemums. On another, a bulb show, various
stages of collapsed anemones. What’s not purple
is yellow—day lilies, mums’ stubborn centers,
& a sweet double tulip. It, then, double exposed.
Beyond this, a book from the bargain bin—
a resource on plants from Maryland to Maine.
On the cover, two tentative crocuses striate purple
& white. Their yolk-yellow stamens break open
as they bloom. Then, the crocus takes a turn
to double on a vintage handkerchief. Embroidered
two-toned petals with a matching scalloped edge,
one pass of perfect mid-purple thread. I’m drenched
in you. I try to cleanse my palette with a slim
book of poems. Local poet, a dollar to read her
two-decade-removed authority on heartbreak—
the divorce & I don’t know what else. On the bed,
I absent-mindedly flip through muted pages flicked
with words I don’t read until bright purple endsheets
appear unexpectedly like sudden, saturated grief.
3 thoughts on "The Beginning & End"
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The “yolk-yellow” stamens are my favorite! I would have never thought to make that connection.
The tone and building of this poem work so well from the start. It grabbed me from “even though these were never streets we knew/together” and then I loved “What’s not purple/is yellow”
“bright purple endsheets
appear unexpectedly like sudden, saturated grief.” <great stuff!