what I must tell you now
the old photos freeze you into when.
I imagine Christmas with warm comfort
and discoveries, the train endlessly circling
on the bedroom floor, poison pellets
making smoke from the locomotive;
the new books, exploring the Pacific
with Hyerdahl, World War II with Churchill
(the young people’s version of war
sanitized);
the chemistry set with only
one experiment that really worked—
something with changing colors;
Nonna’s nativity, dozens of hand-
painted figures plucked from Tuscan
hilsides all facing the bambino;
her hi-fi (a prize won at a festival)
playing Fred Waring’s carolers
through the speaker on the front porch
where you strung lights, one white
light placed carefully over the house number;
Dad’s grocer’s oranges filling the stockings
like an afterthought with those dark nuts
we could never crack.
I must tell you now:
these are all gone.
Now we’ll find the comfort together.
Fears feel the same, each comfort is new.
You are locked in black and white.
I have found a key to colors.
10 thoughts on "what I must tell you now"
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mixed emotions, including a shift from black and white photos to color that gets at a transition, a continuity (“we’ll find the comfort together”), a separation (“I” in the last line)
Creative memories with shift to future.
Those last 2 lines. perfect.
I love the ‘color’ your words give these black and whites.
Adore this ending:
You are locked in black and white.
I have found a key to colors.
Thanks, Pam and all…these lines just came out of the poem, another example of how sometimes a poem will write itself.
Thank you, all.
Greg – Our minds and memories add the color to the old photos. Great memories! The last two lines are so lovely!
Wonderful! I echo the comments on the last two lines.
All these details really paint such a complete picture of a time and place in a compressed space. I love this kind of concision
I agree with what others have said and also add that the title really draws me in.