Cold concrete walls, secret
passageways, plywood ceilings.
Artillery shell pops frantic
party favors red-light bumping
bouncing swaying tooth-ground
revelers, jackets piled in corners
eyes closed, saluting disco balls
like stump speeches.
This place once held stern shivering
soldiers with eyes aflame to the sky,
crosshairs spreading jagged flak
instead of bass beats. The blast
of bombs seismic, fragrant
gunpowder black, sweat singeing,
helmets askew, toddlers screaming
a gremlin’s dying breath out back.
Now the noise is careful, curated,
spitfire a cadence (not skyward slaughter),
four-four time laced up boots
don’t march: they dance, laces
uninspired, uninspected, unfettered
by their grandparents’ bloody
toes, air raid sirens put together
in the basements of techno nerds.
We dance, one eye on our jackets,
limbs frayed like knots. We see
open caskets in the corners,
the coroner too busy to count,
so we rave harder, faster, wilder.
If we don’t stop moving
the ghosts cannot catch us.
They are old, mostly forgotten.
It’s cute to use the chanting
of mourners in dance music now.
Like, sad is totally chic, you know?
You know that death looks great
in all-black everything, right,
as long as you don’t show teeth.
Enough booze & kill turns to fuck.
Homo sapiens do both with pleasure.
We are wild-eyed, finger-spread,
hip-gripped, groan-thick, tone-dumb,
snark-edged, skin-scraped, fuck-tards.
The only draft we know is plant-based,
pint-based, so we drink up, understand
the rifle crack we don’t hear,
the bullet we don’t chamber.
We are the spoils of war.