Dinner at an Italian Restaurant Franchise
Give me your black olives,
and I’ll give you my tomatoes
I used to like olives,
but then my mom died
Somehow,
there’s a correlation
We can just throw the onions
back in the bowl
Give me your black olives,
and I’ll give you my tomatoes
I used to like olives,
but then my mom died
Somehow,
there’s a correlation
We can just throw the onions
back in the bowl
You want it all the time
And the things you have
Become things you once desired,
Now faded into the periphery
Of your monovision focus upon
This thing you want.
This thing you do not have.
This is why I tell you now–
Count and polish your treasures there-in.
I went looking for my heart once–
Found bleeding under
A death mask’s grin.
A lament for Job,
I’m writing these words, out of obligation.
It’s a waste of time,
of resources,
of space.
I don’t want to write what I’m thinking,
or feeling,
or have been wanting to say.
I’m just going to keep trying to make myself feel like i’m ok
and nothing ever happened
for fear of hurting you.
I start with a local paper
at my housebound neighbor’s kitchen table.
Universal, not the New York Times.
I read a clue out loud. I look at her. She shrugs back.
I read another. C + 4-Down? We both shrug.
Maybe I say you have to know the language.
We both laugh. I tell her news about my albino robin,
Harmony. It’s a distraction. I look down but he doesn’t fit
any clue. Smell or sight. This one I know, and it fits.
Hum, all this time and only one 5 letter word filled in.
Maybe if I read the answer key on the next page
when I can’t get one? If I do this often enough
will I catch on? We both laugh. Hum.
I thought a suns spring shine was here to stay, then you bring nine mammatus clouds that are gray
Touché
I sought five drums with beats that wildly play, to dance brutalise on feet I adjust for ballet
Touché
I allot sums of time to pick and arrange a bouquet, then she doesn’t show up for the rest of the day
Touché
but I also fraught over emotions that led me astray, now I think not about notions you send me my way
TOUCHÉ
It’s 3 o’ clock and
everyone is wearing evening gowns
such a frivolous event
for such an unknown town
he sits beside himself, in the
corner where the the lights are dim
he had thrown caution to the wind but
it came flying back at him
horrendous decorations of pastel
dizzy chandeliers of iridescence
groom and bride make vows on god
but he questions omnipresence
what if love is pointless, he thinks
what if celebration of it is too
what if not understanding the feeling
or what comes with it is nothing new
he takes his last look at the couple before
forever holding his peace
watching his former lover
marrying the man of his dreams
When someone is hurting,
it is easy to say “stop hurting.” Ain’t it?
(In my chest there is a pouring cup
and it never runs out.)
Turns out, saying nothing at all
is just as bad as saying “please stop.”
(And on the cup, I mark
and remark your name.)
We’ve had this conversation
over and over. Over and over,
we’ve traced these lines like sky.
(Before, the cup upright.
After, the inevitable spill.)
Someday, a committee will build a machine
to extract all our rage, our sadnesses.
(And in my chest there is a pouring cup
I love three women with feeling,
not fingers, without the joy
of sex, ever, for each one of them
gives me poetry to write
upon empty, lonely pages.
As each one of them ages,
so age I. My words on a line, my insight,
imparts peak experiences about them,
with them, without them and how I enjoy
each minute, each second of momentary reeling.