Everything is a disaster, btw
Afraid of my power,
I wait for the moment I
destroy everything
Fear of my power
is second only to my
dread of certain death
the
inevitability
of
the
exact moment of my doom
torments
me
</3
Afraid of my power,
I wait for the moment I
destroy everything
Fear of my power
is second only to my
dread of certain death
the
inevitability
of
the
exact moment of my doom
torments
me
</3
among vinegar tasters’ ticklish feelers
scratching at sides of
coquettishly
echoing
vats,
besmirched with illegible lees,
like fruit flies flounce about hobbling knees
for an burbling port of entry,
a glowing egress,
some ulcerous suture stressing
a tongue upturned in bewildered bdelygmia,
crankworked words incensed
by some sovereign’s suffering
muses glumly suffused like
golden kernels,
bluish doubloons of a blossoming eucharist,
misty-eyed nome de plumes
begrudgingly smudged into griseous
dishwater,
treacly tang of char and pine tar,
hazed and graven greige
of ablated erasers,
of some plump painter’s gums
who lapped at the back of a nacreous landscape,
suckling oily orts from discoloring corners,
saturnist, thinned amid watery borders,
smoke bled luridly bittersweet
orange and stoked about jaunty stocks
obscured,
like milky sap,
the body but hard tack,
verdigrised lacewings honeycombed
over the broken band
of a moldering donut,
a wriggling iris set in an
interference blue, in a prattling aspic,
cataracts buff as a blistering snakeskin
curled into smirking nigredo again and again and a gain and
there,
where misery festers less than
grapes immured in a mordant must,
a fussily bustling tussock of knock kneed stars
distrusted, crowding the puckering scowl of this
cracked concoction, scrunched in the buttery tack,
like sniggering nymphs impinged in a blistering back,
of Death bid, everlasting, galloping crack
as the hackneyed, clockwork Turk, who’s
attuned to, among those myriad movements,
dandle his horse across every space but once,
and leave no spaces spared:
the arc of an orrery, maybe
a speak-and-say counting or
incantating the manifold shapes of a soul,
the unsoundable husks foretold to be
more than merely muttering dust,
the mechanical hand of Death enslaved, betrayed
by a hiccuping huckster locked in a
clockwork curio cabinet—
what was his name, who
spoke of those things that Heidler stole
before he had stolen them, German,
bawdy mustache, harped about
demons urging a ewe to lurch over (aloft of the)
stiles ad nauseam, dawdling, damned;
who Kubrick’d sketched as a beaming baby,
a light bulb lost in the froth of space
and desperately seeking a socket—
He’d never lived here. Once,
he’d visited, briskly, took of the Indigo
Village’s warbling corn and clover
something akin to an Eden, even
though, as we speak, the merciless
horsemen streaking unspeakably bareback over
the paddocks impinged and pinned
with weather-sealed strip malls picked from the
codfish ball, are sprinkling
lamed and diminishing germs and grain
with the thoughtless dross and illegible dandruff flicked
from a thankless, rank, and eternally
turbid flame they’d nicked from the home-goods section
ripped from the flickering guts of a sunken targ—
kudzu cuddles the brows of a proud estate
as dermestids tickle a slate, a plate
of some busted skull thrust under
a rug of aggrieved and crapulent clover,
and why my cat keeps bringing me snakes and
why I‘ve related so deeply with gnats and dragonflies
buffing their eyes against scuffed and impervious glass and
salad and breadsticks, everlasting!
bottomless pancake breakfasts here at
weed for days and days and
how should I make it a thing of the past and
how should I go about sniffing the glue from scrapbook and
There is a butterfly
outside the barn,
lying in the gravel.
Biff, our barn cat,
is batting at its wings.
His claws aren’t out,
his face calm,
his touch light.
When I shoo him away,
I see that it’s a swallow
tail, it’s legs all bent
and twitching.
Last summer, at a spring,
I saw a swarm and
spent all day watching.
Now, I touch his antenna
gently with my forefinger.
He retracts in tight,
afraid of the unknown.
I squat, knees up under
my arms, hugging them.
He has big eyes, only one
of which can watch me.
I breathe out, slowly,
and squish him
under my thumb.
I carry him over
to the flower bed
and plant him
beneath the weeds.
This year the fluff of sycamore
hovers
rains
speckles
puddles
skydives past barely budding April branches
onto lawn impatient for mowing
sticks to shoes for a lift to kitchen’s
catch-all mats
This fluff’s seeds have little chance
of raising up bold sycamores
yet they earnestly pursue
their windblown games
much as I ponder how to juggle
unruly words to verses
knowing they’ve hardly
a chance to quicken
in printer’s ink
Today I feel like an unfinished painting
A canvas of random drips and streaks
even Pollack lovers would have a hard time deciphering
Well her denims are definitely generous they might say
And her palette does muddle toward Aegean daydreams
But personally I find her blues way too moody
Just look at the smeared lipstick the Baroque blush
Her radical reds need an organic faith a bleeding perhaps
And that orange My Dear too fussy
Too frantic too . . . . . . . political
Where is the purple delusion old women are supposed to sport?
That Hendrix haze certainly does expose all her runs and sags
Didn’t she once exhibit a spilled wine motif?
Now that crow dotting there those hieroglyphics of coal
Could be her chiaroscuro eyes
The midnight manifesto of her ink-suffered pages
All this white space however is a tacky exposure
Like brain waves let loose in a cloud store
See how those green dribbles just limp the landscape
Fluid as a dying creek in August
Some mossy crawling through the hollows
But now that yellow that yellow has sublime promise
With just a dab of butter a pop of corn maybe a stretch of daffodil
She could be the sun
Sometimes I ponder: Am I a good teacher?
I’ve studied so many tricks
try to follow all the rules of school
ABCs and 123s
but I question what it all means
Sometimes I think: Someone is better.
they know all the tricks
don’t follow all the rules because tenure
teaches what they want at their leisure
and don’t feel the weight of administrative pressure
Sometimes I doubt: I don’t think I can do this.
the majority student demographic is different from me
it makes me feel like I’m a person in between a comedic tragedy
because I go in with the hope to try and help each kid
but I am different from this place they grew up in
Sometimes I feel: I am no good to them.
someone else should teach them in my stead
because they know them better, lived the life they’ve led
and they’ll choose them over me instead
that’s the comparison in my head
Sometimes I am told: Thank you, Mrs. Jones
by a student who doesn’t quite fit the mold
just like me, living in a different reality
and find solace in kindred commonality
in my classroom’s abnormality
Sometimes I’d like to believe: Maybe I am needed
by children who feel defeated
by the rural ideas of their hometown
because their identity has been shot down
and is being attacked by governments now
Sometimes I ask: What can I do?
to help make things improve
ensure that the storms they’ll have to weather
end them up someplace far better
but no answers I can find in these letters
Sometimes I accept this fact: All I can do is be there for them.
try to give them hope when they are condemned
by classmates who just don’t understand
that she is not a man
that they are more than the societal gender span
Sometimes I wonder: What does it mean to be a teacher?
treat every kid equally and equitably
but when society doesn’t do that
and restricts us from teaching them all of life’s facts
how are we supposed to react?
Sometimes: The word to define this young teacher.
they are uncertain, struggle to stand on their own two feet
trying to teach lessons that feel utterly incomplete
wanting to believe they can grow young minds
but are pinned down by emotional and societal confines
I’ve come to realize
suddenly or not so
suddenly that I don’t have to
relinquish quite so easily
or better yet, I should relinquish it all
easily
because I deserve so much more than I bargain for
i’ve become obsessed with the word “not” as in when you ask how i’m doing i will show you the white space of a photograph there exists only one image of my mother as a child and she is scowling in it a dark already drawn around her eyes when the bombs arrived they bleached the stone and our living was only evidenced by shadows i’ve searched the exits at every party i’ve ever been to once even a deer looked through me and kept eating i got close enough to see its wound and understood my favorite rooms are made of glass and i sit for hours inside them my mother was always a good child despite and my grandmother was never a sweet woman i seem to pick all the wrong fruit at the grocery store it is the only dying i’ve held in my hands when they wheeled my grandfather away his toes pressed through the glass and a sound escaped my mother like a child they had stitched his eyes together days before to hide the nothing behind them he does not smile in the photograph either already made up of negative space his eyes back then were always set behind sunglasses as if foreshadowing their disappearance of course i have been after them for years i still look for them in the bottom of every cabinet
vertigo
eye floaters
ear crickets
missing teeth
a left-footed limp
permanently pulled groin
hyper-active thyroid
words slippping away
on the stage coach going south
old age states of nature
you rub them like smooth stones
accept their limitations
keep them in the dark
for what can the young guess
about their existence
you imagine the next life
being without authority
it’s not that you do whatever you want
but whatever you need to
in a casual unhurried manner
like handing a bucket of well water
to the next person in line on the fire brigade
maybe it’s a library everyone is saving
each day will be wondrous
& will bring another drop of clarity
as slowly you slide into the habit
of just being a good guy