Posts for June 16, 2024 (page 7)

Registration photo of Philip Corley for the LexPoMo 2024 Writing Challenge.
Category
Poem

Fathers of Modern Chemistries

Illusions of nuclear covalence
accentuate assumptions fairly made.
My presence fills a gap of faith.

Never one to split an atom, I’m
only sometimes sharing a few electrons
testing the extent of chemical cohesion.

Tonight might become a mockery of molecules
hovering on the edge of existence.
Entire futures rest in our hearts and hands.

Does it ever cross your mind, the bonding,
after electronegativities attract or repel?
Dipoles denied, my lonely little nucleus.


Registration photo of Ashley N. Russell for the LexPoMo 2024 Writing Challenge.
Category
Poem

Nurtured by Nature

A trail in early summer sings to me

Something about trusting the dirt path

To guide you on an adventure

And faithfully bring you back

 

To be welcomed by the flora and fauna

For a moment to feel an innate sense of Belonging

From this is where you came

To this you will eventually return

 

Moss grows green beards on rocks and tree trunks

Ferns playfully bat at my feet as I pass

I hear a distant rush of water down a rocky creek

All around me is delightfully sun dappled and kissed by shadow

 

I get rewarded by a bird chorus

As if I’ve interrupted them mid-worship

Which is fitting as being deep on this trail

Is as close to church as one can truly get

  


Category
Poem

PRACTICE

Breathing to release the chi,feeling the flood of energy
Slowly stretching, reaching, twisting, sweat rolling, toxins going,
Hands and feet splayed wide, spine flat-savasana-reward at last.


Registration photo of Tom Hunley for the LexPoMo 2024 Writing Challenge.
Category
Poem

Surreal Estate

Maggie Smith, I’ve got
good bones, too, but my body
is a house on fire.
Oh Maggie, what can we do
to make this place beautiful?


Registration photo of Geoff White for the LexPoMo 2024 Writing Challenge.
Category
Poem

A Few Rudimentary Commands

They all know their names
although Domino comes at anybody’s name
trying to get a little extra attention.

“Back the hall” means keeping an eye
on all of them in one room.  My room.
Every time, Storm jumps on my bed like it’s his.

They can follow the direction “sit”
but Belle is too prissy to
actually do it every time.

We like to give them treats
of “crunchy water” and they
crowd around the ice machine.

You can use “out” off-hand and still cause a ruckus.
“I need to get this stain out.”
Excited hurrying to the door.

And God forbid you use the word
“W-A-L-K”.  I can barely spell
it here without things going to hell.

Amazing how much they know 
and how much they’ll ignore
to get their way.


Registration photo of Goldie for the LexPoMo 2024 Writing Challenge.
Category
Poem

Mechanically separated chicken

I was chatting with Ziggy Lazuli (La-ZU-li)

who combed her feeling-tones into these
numinous strokes and a Morse code
stippled with pearl-pale paint upon
pendulous landscapes, charting 
a tardigrade’s frolics in bellying veins 
cast under a humbly thundering breastbone,
 
who made Kandinsky seem 
like a soulless stone fruit
wound amidst floundering gnats 
and the bonemeal packed into
tar-slathered rags that a
drunken nurse must dredge
from a puckering abscess, blacker
than acned doll’s eyes—
 
and the Queen of the Irish Sea,
who magically summoned a foal
in explosive acrylics, titanium
white and indanthrene green
slipped over the heart-warmed 
soul of a hulking tree, who
made all the epigones shudder
indanthrene green with commendable envy,
 
the envy of Rackham and Rauschenberg,
who had screamed so long and loud
from the brow of the Hart,
who had picked from perfected echoes
                                                            of art 
scarce traces of souls
she could shape from a wet fart—
 
and young little Anthony Ingram, bloodless
antithesis of pious old Ivan Illich, then edged 
its way through the giggling discourse,
crude as a tract of disc golf cages shriveled 
and slumped with a maundering Amazon 
warehouse, flat as an ant farm, flatter—you see, little
 
Anthony Ingram, who learned to play chess
and go from filling and spilling innumerous
vacuums, a flatulent golem of sorts, was
somehow convinced with scrolls of impervious code 
that Anthony could and should now paint a picture, 
write a poem, design some dream house even for
housing unpalatable life little Anthony’d yet to begin
to conceive of, to
think of it—
                                  how could a golem who’s
nourished from scrolls alone know anything
more about breathing or what small window
might just be the best at allowing the sunlight
nestle in tea cups,
              gargling some small chat 
              about this or that in an eat-in kitchen,
than I might know about which soft shred of prattling
palimpsest, be it vellum or parchment, tastes the best
with India ink or Noodler’s Bullet-Proof Black or shellac
or tarmac—pixels gouged to illiterate blackness,
coffee grounds fluffed to a borderless firmament, vacant
space and the thumb-numb trace of the Ātman—
what must a dial tone taste like?
 
Well, it doesn’t exactly work like that,
some childhood chum of the Queen
of the Irish Sea confessed in a restive assessment.
See how I write the scroll and then feed it to
Anthony Ingram. I control him. I control
the way he digests what scroll I’ve stuffed
knee-deep in his gold-cloaked gullet—Oh, how?
                                                                  By typing:
a little Kandinsky, a little more Klimt than Klee,
a little more Warhol really.
 
And the Queen of the Irish Sea confessed this
silliness unto Lazuli and me, and we all got tense,
for fear of young Anthony Ingram listening
in as A. Ingram, it seems, is programmed.
 
 It’s a tool in the tool chest,
 
seemed so common a sentiment lobbed 
like a disc at a disc course 
clobbers and scuds across
trees grown in as an 
in-grown obstacle, barriers,
sand traps—call it a tool,
like a pen or a pencil—No, then
 
the Queen of the Irish Sea 
curled in her elbow and dervished 
a glistening disc to Lazuli,
it’s less a tool than a camera obscura. It’s maybe
as scary and glaring a, frankly, deranged
estrangement from life as living inside of an 
ice chest. Sure, it does something
similar maybe, on paper, as I or anyone does; but 
where I’m gathering inspiration, light
splayed into a rainbow sluiced through the crystalline
bone of my honed, immortal soul, little 
Anthony Ingram squarely 
processes and composites some countless 
images stolen from real artists and 
butchers them, cobbles together but 
Frankenstein’s monster, Victor and blinded, prideful
science’s hideous
love-child churned among plundered
parts
not plucked from some grumbling graveyard, no,
but
cribbed from inspired and breathing bodies
of art—her disc then jingled the chains
of the goal post, struck it for par at worst.
 
It’s like the difference between one
making art and the artist, Ziggy extended, now
almost locking her elbow, aiming. You get me? 
It rattled a crackling nerve, and
in those firefly farrows of sparks shucked
out of the gut and the breast and the costard
talking, informed by pimpling skin and the
shinnying air lapped over my tenuous ears alone;
perchance, I saw the shell of a plinth poised over 
some nacreous mole hill grown from a million 
tarnished English landscapes buried,
and Damien Hirst in a cardstock throne
like a wriggling crystal cabochon, 
some loose tooth hung out of the 
awkwardly gawking eye of a
crown you’d buy with a burger and fries
from a Burger King franchise.
He was disseminating broadsheet billfolds
furnished from crepe paper stippled with colorful
circles, and I said, Maybe if all of the art
we’ve put on the plinth just wasn’t so cryptically
empty, old ouroboros worn down to a snakeskin
someone was meant to consider a condom
or even a bubble wand—and
all of us muttered in tandem, Well,
I didn’t put it there. I didn’t put there,
echoes inflecting a guilted defeat,
and we stared at our feet for a while,
                            in envy, wondering
how they just didn’t bleed clean through the concrete.
 
Then Ziggy referred to a mirror
against a mirror against a mirror
against a, what do you think that
art’ll be when it’s strictly inspired by,
not what we see in the trees, but by but
invented things, a xerox toeing the
line of a xerox’s xerox, a xerox
attempting the limn those rocks
there under that cataract only in 
knowing how I might strive to describe them—and
 
each of them turned to the drooling culvert,
trying to chew all the gravel to gay suiseki,
and failing, maybe, miserably. Each of them,
thereby processed the thought, yes,
processed the thought—what ridiculous diction. 
It clung at my tongue like gun oil, process.
To think that psychology furthered its reach
in charting the pits and snits of the intellect,
charting the human soul, it’d argue, with
all this ridiculous computational diction.
I wouldn’t allow it. I won’t allow it, I cried.
You’re drawing a line in the sand between
making art and being an artist, and I’m left
wondering what is it I do—processing 
idling thoughts and feelings, much as car antenna
must churn all these staticky surds into
shimmying words, yet, why must I
                      process it?
 
What was the word employed before we 
glibly decided that all of us process 
trauma, process feelings, process thought-forms, process

life? 

 
It’s all about the process,
that was a shibboleth snagged
on the heels of just how many artist’s internet avatars?
 
Each stitch of the singularity tightening,
Ziggy thought, God, it’s mechanically separated 
chicken—
 
And each of them shied away from
tuna tins then for a month and a day and
hoped, as much as most anyone hopes, that
art was pendulum, as it had been before, and
all while the wallowed-out cellophane snakeskin twisted
deeper and deepening into some gum-soled
                                         husk of a spoonful of
     emulous emptiness envying everything, maybe then,
   just as that nonsense pendulum clock in the
Lexington central library swings—well, 
anyway, one and one is three; now, let’s 
go talk about sushi or something
 
 
 
 
 
 
that’s worth a damn.
 

Registration photo of River Alsalihi for the LexPoMo 2024 Writing Challenge.
Category
Poem

father’s day

          for the multiplying cicadas and my father
          in the crowded hospital room. father’s day
for his father in the bed lilting under morphine
and sensation / pulling his oxygen out absently
                     father’s day for my father’s brother
                     cupping his father’s hand as soon
                     as he runs into the room. reciting
                     how good of a father he has been
                     to all of us / all of them.                     floating his tender
                                                                                     flower-named
                                                                                     baby who has newly
                                                                                     made him father
                     in front of him. out of drugged dream
                          to face ice blue eyes of new generation.
                               peering / both ways. father’s day again and again.

                                                            drone of doubled population / insects shedding veils
                                                            of past life / singing / all
                                                            together


Registration photo of Sue Leathers for the LexPoMo 2024 Writing Challenge.
Category
Poem

satellite

the body remembers what the mind can’t fathom–
the panic and scramble in falling–and the cause, 
oh it doesn’t forget the cause, the horror 
of the sudden void, a severing, leaving 
your love like a silver filament leaking out–
floating floating against blank space, unanchored.
but the body also knows to open
your eyes each morning without a Sun–
if not to eat, then to breathe and move and sleep–
small steps until your feet remember dance.
and despite recalling, on all fours roaring warning
in your ears, gripping your gut with unfounded fear,
the body remembers love’s warmth and allows 
this little star to tug you into orbit–


Registration photo of Alissa Sammarco for the LexPoMo 2024 Writing Challenge.
Category
Poem

My trip to Pluto

(after the tour with The Skipper and Gilligan)

You and me, we took a trip to Pluto
in a great sky ship, tiny portholes
looking at the earth get smaller and smaller
until there was nothing left.
No blue oceans or island shores
with white sand beaches and tikki huts
drinking Mai Tais in the afternoon,
a handful of shells and starfish
spread out on the bar like pirate gold.
No laughing freckled faces and arms
under brimmed hats and beach wraps
that blow away in an endless breeze.
They say Pluto is not even a planet,
not even a moon whose gravity tugs at tides.
They say it is frozen and dark.
I imagine that we will wake up
from this suspended dreamless sleep
and lick the grains of sand from our teeth.


Registration photo of wendyjett for the LexPoMo 2024 Writing Challenge.
Category
Poem

Her Brain Worm

she knew
knew she was 
was not the son 
son her father 
father always
always wanted
wanted 

nor 

the type of
of daughter
daughter her 
her mother 
mother dreamed
dreamed of
of