The Past is a Well
[deep is the well of the past]
Thomas Mann
[deep is the well of the past]
Thomas Mann
I drive
into a never ending horizon
through the night and into the morning
I collect the miles
the road I’m driving on frenquented by
workers, bums, sinners and saints
thier dirty feet scabbed and bare
their eyes wide and ravenous
Palms open to the sky
a desperate plea for a direction
a destination
an end
I drive pass them, hitchhiking on the side of the highway, hanging around exit signs
I drive on
beckoned by the road
seduced by the infinate distance
I see nothing in the horizon
Yet I see everything
The road leading me to whatever destiny I earned
This is how it was meant to be
We know one another by how we move
I was sure I was the bully on the school bus.
And I doubt my third grade victim
even remembers but
I’ll never forgive myself for that first time
I used my words to make someone cry.
To be fair, I was defending a cousin.
Even though I don’t remember why,
even though he was the step kind of cousin
and I didn’t think much of him
and he might well have deserved it.
‘Cause to this day that boy ain’t learned
when to shut his mouth and ride along.
I was too soft for the school bus.
Lakeside wasn’t too far
from our gray block house
and the day I stumbled down the steep
and sticky steps while hydraulics hissed
and I confessed my meanness
and tears streamed down my face,
Mommy had had enough.
There was spit in my dishwater hair.
She drove me to school the next day.
And the next and the next.
Sometimes in the big, blue Ford farm truck
with no power steering.
I’d laugh and feel my tiny chest
get tight when she’d holler for help
and I’d stand up
and set my feet wide in the floor board
and grab hold of the wheel with both hands
and lean into the curves with her.
Last call at the joint down the street
regulars push away from the bar
I’ve got headphones on, my Friday night retreat,
playing pinball, a planet-less star.
These are days I’ll examine from afar
and think what a waste, what a lack
of imagination, if only I could take time back
stow it in reserve for some future use,
a museum, a movie, instead of this track,
no free game, a life down the chute.
There’s a beauty in the sitting alone
the fuck! Whatever! I see her,
inviting medicine mossy
coaxed to my lips.
Yesterday, only then
was I happy—
I was happy, and she cries
My mother’s sister,
rage in a bottle,
the one she never loved—
for today, though
when morning comes
we go in clouds
and you ask me
what it really means
to shine—
and both pray God by night
be our incense-tumbling-thurible
a pillar swirling fire—soothing warm,
and I sear you in buttered sage,
snatch out the fishy bones,
and burrow deep through
the ragamuffin furniture
that doesn’t bother me, but she takes
15 dollars to a thrift store where
your burst head adiposed
addles—scoop! a bowl
of voodoo
snakes sell a low cash loveseat sale—
my love’s snazz and character charms me,
Grace slings the meat, and returning
I’ll bore you, and bore,
and bore you down to the seeds
of our sometimes union
also a table’s worth of three pounds
of food to our place in the rain
where I cook
the succulent fruit beckons
hither, hither unto my heart where
I’ll eat them both.
because our children surprise
more
than they argue
What are you thinking
my old hobbyhorse?
I think best to forget.
and no one here will argue
at all.
Not for several weeks of rest.
This is dissociative shit—
all we ever were to each other
that’s it, that’s who we’ll be.
i hope that one day
i will remember everything,
so i can learn how to trust myself again.
but it’s gonna hurt like hell
to uncover the things
my mind decided to bury
even the good & not-so-bad things
it’s gonna sting
and that’s my truth tonight
Shards of light shatter off the water
this summer Michigan morning,
sun slanting like an axe’s edge.
The girls rousing in the dawn, stirring,
the fishy breeze flowing from the West
and the promise of unfettered freedom.
J. isn’t home, but his boat keys dangle
from the iron hook, ready to Ruth’s hand,
and readily taken–the call sounded,
the five girls don their colored glasses
and take to the wood-paneled craft
hulking with muted speed and power.
Key turned, motor purring, bubbling water
rising from the propeller’s spin–
now they glide out, like a bold swan
cleaving the glassine surface, the
prow painting a silvered “V.” Ruth urges
the throttle forward, the rumble building
to a roar, the thin, triangular wake
swelling to waves: rows of soldiers,
an orderly force, invading the shore.
She laughs, the raw power of the boat
rising–the girls all grow heady,
overpowered with sun, water, and youth.
Objects abound like model train towns—
leafy willows dipping, fishermen
drifting, buoys and rafts floating—
only a frame to the urgent motion
of this boat now carving circles that
cut the freshly incarnated wake in half
and the circles, the spinning, becomes
an intoxicating challenge to beat back
the wind and–slicing–capture the past.
Past Orr’s Point, spiraling, the speed
increasing, the prow lifting to the sun
the motor stampeding into the light.
And then, a crunch, crash, and crumbling:
this steed bucking and twisting suddenly:
Ruth cuts the motor, the prow now flaccid.
Looking back, there is a cartoon scene:
one old man clinging to a rowboat, fishing
poles sinking, an oar outstretched toward
another venerable gentleman, eyes
full of fear and fire, grasping the blade,
pulled inchingly, achingly into the boat,
blood boiling up behind him, staining the
greenish-blue water with red, the three
primary colors that make white and
in this he moves toward the light, the
lifeblood ebbing from his leg, which
the propeller, those cast bronze blades,
nearly amputated. This man–who only
expected to catch fish and bullshit with
his friend–succumbed to the void.
Where did we stray?
Who will pay?
What is the reason?
Whence this season?
Why did it shatter?
Does it matter
that she is twenty-four?
Is she more or less ruthless or an
arrow shot by fate to bring him home?