Category
Poem

My River

The cool summer breeze sings lullabies to me softly

And the sunlight speckles green grass

As I jump in leaps and bounds

From one mossy rock to another

In the stream that runs through my backyard

Minnows struggle to swim upstream

I count them – two, four, six, eight, ten…

There must be hundreds

Birds chirp to each other

Water whispers to me

My feet in the dirt

My eyes meet the baby blue sky

With my hands grasping

A branch of a willow tree

It supports me

A crutch to an eleven year old

I sit on the tree’s bough

Basking in it

Safe, lost in the wonder of it all

Registration photo of mtpoet for the LexPoMo 2025 Writing Challenge.
Category
Poem

Up early

  Up early

        I was awake at 3:30 when the alarm, as all will,
        went off on my phone.
        I will drive to Glasgow to meet my friend.

        Tony will drive us to Spring Hill,
        Tennessee where we have gone
        like horse traders to end

        a search for vehicles to sell
        on Tony’s lot in Glasgow.
        We lack the knowledge that old time

        traders had, able to tell
        age by an animal’s teeth. I know
        not how that works, but I know rhyme

        and how words go on a line.
        Tony knows cars,
        knows to look under the hood.

        He avoids rust, and black oil, knows the fine
        things to check, and the history of cars
        that every buyer should.

        We test drive the ones that meet
        his requirements, but the shrewed sellers
        are masters of deception, always. Still we go.
        

Registration photo of Goldie for the LexPoMo 2025 Writing Challenge.
Category
Poem

prospective Boehme moment 13308

shrill tooth-impacting 

scrape of stone on stone,
the throat-soft screech of a Taylor & 
Ng mug clipping the milk tooth step 
     of the 
         stoop—I recall 
how I cried once, 
pinching the velveteen
ken’s folds, olios swollen, 
to scenes of the dandruff 
stars pinned marking when
men first witnessed frenzied
flame
           contained in the ticklish,
    whispering brush—I recall
how the frog on the Taylor
& Ng mug calmly recoils 
in thoughts upon Cyber-
netics that Eno (who-
‘s just one backwards)
frankly explains before
killing a fly how a frog’s eye’s always
 
open, the more so when stalking
it stares unflinchingly into the field un-
til—and Eno just looks at his 
dahlia’d, chalk-soft hand, here, muttering
look at your hand; if you look
at it long enough, one sees simply
nothing, and thereby becomes at-
tuned to the fly-small flit of a
fly flying over the field then . So, 
                                 this softening,
shrill and incensing stutter of
stone struck over stone, again 
and again as eternity wheeling its
giggling, gonging, and throttling 
   snits and fits of
mummer’s parading pan-
jandrums, blithe 
as the dust chipped clean 
from the stammering 
step or the
milk teeth
lost among 
whirlbone hands of but
drunken uncle legerdemain and
tussles of tarot or faro with 
finicky faeries, buffing your 
wick-brittle skull or the clod-
cold plot of your breastbone
into some buckling huckle or 
brass-wound bier bent eying 
eternity’s tender tang—like 
 
light curled up in 
old Boehme’s pewter, summoning 
what shrill spark sustained by the
coy winter sun wove weftward, wavering,
floundering, flittering, buzzing in how many
 
soles scratched over stuttering sidewalks, how many
small black stalks squeezed squealing up
toothless cracks in the brooding macadam, in
how many fireflies shyly snapped
from the rain-rapped roots 
or portentous lamp posts, trying
to stir up what stars seduce from the
darkness, all of our stars wound up in the
fleeting and wheedling grate of stone on stone,
like toothaches born of the bankrupt graveyard
working the earth into colorless cud or gnashing
the mud to a staggering sacrament children are
queerly afeard of still, still slipping their soles in
just to compel something chilling or pulse-stented
chicken skin stammering into the infinite, stam-
mer and stagger away like the sky breaks, daily
Registration photo of Kevin Nance Nance for the LexPoMo 2025 Writing Challenge.
Category
Poem

Koan

I lost myself years ago
& haven’t missed me
since.

Registration photo of Dana Wangsgard for the LexPoMo 2025 Writing Challenge.
Category
Poem

Euclidean Lines in Hyperbolic Times

Parallel lines never meet, we learned early,
ruled pages neatly lined and certain.
A comforting geometry—
belief in distance maintained,
balanced,
held.

Yet here is hyperbole,
or perhaps hyperbolic truth.
Lines are crossing now,
where once Euclid swore they could not.
A sphere, unimagined,
emerges from flat paper.

Consider infinity—
the point at which all assumptions bend,
a north pole
where separate rails find themselves joined,
astonished by their new proximity.

In Los Angeles, flash-bangs bloom among chanting bodies.
ICE sweeps through towns
like parallel lines that forget Euclid’s promise.
The president speaks of invasions,
insurrections—
hyperbolic words
pulling geometry into strange curvatures.

Tanks on trains roll into Washington,
a parade of iron hyperbole,
not parallel but converging
on this infinite absurdity.

A woman carries her papers,
though born under the same vast sky
as those who demand them.
She lives in an America where parallel lives cross,
painfully intersecting in places Euclid did not foresee.

These days are hyperbolic:
borders blur,
logic circles back,
words and worlds distorted,
a geometry of power collapsing inward,
toward some new center.

Hyperbole: three thousand arrests a day,
troops in cities,
streets where children hold identification like shields.
Truth bends sharply,
reflections in mirrors of violence and fear,
unfathomed curvature,
unbearable weight.

We once trusted the straight lines,
the comforting laws of shapes and distance.
But infinity has moved closer.
The globe curves beneath our feet;
Euclid’s comforting parallels now bend,
lines inevitably meeting at points
we had once thought unreachable.

The geometry of our times
demands that we see clearly:
in hyperbolic space,
there are no safe distances—
only lines destined eventually to cross.  

Registration photo of PBSartist for the LexPoMo 2025 Writing Challenge.
Category
Poem

the strawberry

beneath their green umbrellas
strawberries ripen
tender sweet jewels
a temptation for paws and snouts
the rabbit’s quick nibble
the groundhog’s leisurely feast
the dog’s determined delight

my own breakfast
will know its juicy abundance
in due course

Registration photo of Linda Bryant for the LexPoMo 2025 Writing Challenge.
Category
Poem

Beauty is More Than Flowering

 
Four decades of distracted searching — rush
to snag the exclusive, meet the deadline, 
grab the bargain, boost the credit
 
& now I finally notice you. Like a high-speed
train approaching Penn Station, I’m slowing
down. I move to Big Mountain
 
& listen for the whip-poor-will at twilight,
study the life cycle of the Swallowtail.
I pray under your heart-shaped leaves.
 
O redbud tree of the edges,
timber in the understory, I yield to you.
I never noticed your whoosh
 
& tingle. I try to break your tough, slender
branch but I fail. You quieten me. I sit with you
until sunset.  I contemplate you as twigs

stretch like forked capillaries. I surrender.

I have been lost in an American daze.
Thank you for waiting for me. 
 
Your abundant pink blossoms
in spring — all I had ever known. 
Now, tree of the tribes, I am your student. 
 
Generational memories speak
to me through rustle & wind. I imagine
a Cherokee mother boiling your dark 
 
bark into a tonic to soothe
the deep cough of her infant.
‘Use every scrap,” she chants.
 
“Thread your branches into baskets
with star patterns & handles. In all
small parts of her take glory.”

Registration photo of Shaun Turner for the LexPoMo 2025 Writing Challenge.
Category
Poem

A Hundred Million Boo Radley

Bless the dreamers, the shouters—their courage  

a bright, blunt knife. But some others are too tender 
for the sun. Some bodies are porch-bodies
on their best days: peeling paint bodies, drawn 
shade bodies, sanctuary bodies, absent bodies.
 Bodies in the air of a closed room—bodies
that spring alive against the screen—
 
See how they move in the dark—a careful
architecture of ache and adaptation. 
 
Outside, the glitter kisses the pavement
under streetlamp.  
Inside, they keep their wilderness  
unmapped—a secret even to the oak tree,  
whispered to the moths that batter
the porch light’s dusty globe.  
 
Their gifts are precious gifts: sometimes 
a poem, a whittled figure of soap, a bell jar 
of blackberries and sweet cornbread
stained with their thumbprint.
A hundred million signs left
on the neighbor’s lowest step.
 
Who needs proof? Scout
their ritual: their window cracked  
just enough to smell the rain. You can’t watch
the way they touch the small of their own wrist  
at dusk—gentle, sure—leading 
themselves outside to the moondrunk porch
all on their own terms.
Registration photo of Jerry Hicks for the LexPoMo 2025 Writing Challenge.
Category
Poem

The Day’s Routine

On a cold and chilly mornin’ as the day is just a bornin’, I stumble down the stairs and find my mug,

I pour the coffee, hot and black, take two slices from the stack, and a dollop of milk from the jug.

 

I stand and will myself to wake, and ponder just how much that I can take, as I brace myself to face another day.

There are challenges galore, and I wonder what’s in store, but I know I can handle it, come what may.

 

Through the window in the kitchen, I may here pause to mention, the early morning sun feebly creeps,

I see the dew drops glisten and as I close my eyes and listen, I hear birdsong that drives my heart to leap.

 

The day is new and bright, life abounding in my sight, and I feel the urge to get going and to start,

So I guzzle java down, taste the toast perfectly brown, and go outside once again to play my part.

 

And I revel in creation, with my heartfelt elation, I can’t help it but as I look all around,

I take joy in all I see, and little bit for me, a perfect day, beautiful, peaceful, and profound.

 

Registration photo of H.A. for the LexPoMo 2025 Writing Challenge.
Category
Poem

Axl Rose’s Croon

opening riff rings

leather-clad, snakeskin dance sings
“Oh, Sweet Child O’ Mine”