There’s an artist who lives on the street
behind me, a woman who paints the lawn
jockeys they sell at Keeneland.
Evenings, she works her magic on the patio,
leaves the statues to dry overnight.
At daybreak, I head outside for a run,
eager to survey whatever scene will unfold
before me – small men scattered
across the grass, standing on tables, posed
and frozen in various states of undress.
I like to imagine they’ve been partying
late into the night, like garden gnomes
who wait for darkness before they spring to life.
The mischievous glint in a ceramic eye
suggests they’ve been up to shenanigans.
A few of them face off, fists raised to fight
in a front-yard brawl. Others seem to shiver,
pale and ashamedly shirtless, their torsos
pasty, heads probably pounding, lucky
they’ve managed to find their breeches.
But a handful are well-rested, nattily dressed
in bright reds and blues, alert and ready to race.
They all stand at attention in one neat row,
chins up, arms lifted to herald the rising sun
which shines so bright on old Kentucky.