Behind the Sheer Curtains
Some sparrows
are singing
among the sheer
curtains of fog
at the edge
of daylight.
Damp grasses
smell of wild onion
and heavy dew-drift.
The horse listens, too,
and, I suppose,
marvels more
than I that the heavy
air does not stifle
their song.
Feeder fish swim
along the edge
of the pond—
creamsicle echoes
of the dawn sky,
now clear.
I watch for a doe
and her two spotted
fawns to appear,
but today, only
the babes approach
to nibble sweet clover
then disappear
as all creatures
of the earth do,
leaving me
behind the glass,
outside nature again.
8 thoughts on "Behind the Sheer Curtains"
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Wonderful, really hits home the barriers between us and the natural world. Favorite part is the “horse listens, too/and, I suppose,/marvels more//than I …” which reminds us we are separate from the horse’s world, which is the natural world, occurring on the other side of that glass. Cool poem, M.
Beautiful images. Especially love: “The horse listens, too,”, “Feeder fish swim/along the edge/of the pond—”
I love: “creamsicle echoes
of the dawn sky,
now clear.”
And the ending is so truthful!
Beautiful nature writing. The imagery is exquisite. Love
“sheer curtains of fog” and
“creamsicle echoes
of the dawn sky”
I will never look at the dawn sky the same way again.
I love your poem. “Creamsicle echoes of the dawn sky ” paints such a beautiful picture.
You have such a gentle touch of words while delivering a punch! Deft hand at involving us in the scene while still showing the distance. Love the line breaks –
Some sparrows
are singing
among the sheer
curtains of fog
at the edge
of daylight.
A wonderful moment captured with much sensory details to keep the reader grounded in this scene with you. And I agree with the others that “creamsicle echoes\of the dawn sky” was a beautifully written–then all that warm leaves when the fawns return. Very well done!
I love how this poem circles back to its beginning. I also love the creamsicle line and
“marvels more
than I that the heavy
air does not stifle
their song.”
Also, the form works well, as if the poem is seen through a narrow gap in the curtains.