heaven can wait
time uncurls in clicking
disfigurements, sand
smoothes soul-bound
burs whilst wriggling
calluses coarsely unnerve
and disturb some pea-
small matryoshka scabbed into haggis—
the cardiograph’s cracked slipstream chases
a jostling comet tail clawing its way toward what,
while the twee little girl in me struts still
over the quipus and sheepshanks, wind-raked,
scraping the wharf for a mumbling wunderkind,
hoping to learn how to hogtie her shoes again—
shins unsplinted and splinters relenting, the
water-logged splinters swelling back into but
blackstrap cedars of dream and everything
rain-rattled matchsticks scratch about, tallying
days in a book now bound and weighted with
what would be wetter or better than
dew-throbbed flowers, louring
glowers that old cracked mary’d fancied
finer than twine, and the fishing
line missives of cans constrained, still
sorting some chortling voice amongst
poignant noise and the tattoo of coffee
stains straining, impatient as penitent
stars cinch, hissing and clenching, pitched
as a needle descending to root around what
stubbed stump of a limb—
as a needle descending to root around what
stubbed stump of a limb—
2 thoughts on "heaven can wait"
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Love the consonance and rhythms of “the quipus and sheepshanks” and “shins unsplinted and splinters relenting…”
Thank you! I’m particularly fond of “some pea-/small matryoshka scabbed into haggis”. I kept saying, as though struck with palalia, after I wrote it this morning. It’s kind of gross-out humor, but for some reason even as I age I’m still into that. I really liked the quipus and sheepshanks also. I think Ing just got me into all of that talk about knots and knotting. I was talking to my partner about aging, aging being what I assume this poem’s about. It took a real weird shape though. Lately, I’ve been writing what comes and try to figure it all out later. Some of it’s very intentional. Why it wound up the way it did still escapes me—weird, or appropos, considering it’s about aging…