Meet Your Neighbors
I’ve moved to this rowhouse near a train track
from the seclusion of the North Cascades.
I’ve planted cherry tomatoes & miniature marigolds
in the belly of this urban burst alongside
the nonstop restlessness of the interstate.
I carve out quiet time under a rickety carport
while waiting for the first fireflies.
The noise of the city makes sense.
I hear the manifest silence. They are twins—
hullabaloo & hush. The neighbor next door yells,
“Go to hell, better yet go back to Birmingham.”
I think of Amanda when I lived in the mountain
forest—fifty acres between us.
How no one heard her desperate shrieks
when she pleaded for rescue from his abuse.
Here, in the inner-city amidst a soundtrack
of ambulances & 18-wheelers, I feel an urge
to name & track living things. I call the earthworm
on the sidewalk Thea. The half-earred stray is Ralphie.
The street cat I’ve just taken in is Charlene.
The street cat I’ve just taken in is Charlene.
22 thoughts on "Meet Your Neighbors "
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So, so good. Hullabaloo and hush! And the names at the end are so adorable as they crush me.
I really like that turn, reminding us that maybe there is a benefit in being so close. “The noise of the city makes sense*
The ambivalence comes across well. “cherry tomatoes & miniature marigolds” are perfect choices for plants, but city trees face challenges. the living things to track and name may become fewer and fewer
Sharp contrast between city and country through the sensual details. Love the human calling/urge to name things. “The noise of the city makes sense.” – golden!
Go to hell or back to Birmingham was the coldest and the drop dead funniest. You nailed this one love. Nashville, always. 😀
Shew! I love in “the belly of this urban burst” and “They are twins/hullabaloo & hush.”
The third stanza hits hard. The gravitas of naming the animals even more so because you named Amanda but left the neighbor unnamed.
I wonder why I did that? Maybe I need to name them but I don’t remember their names.
I like the contrast– who you choose to name and who you don’t. Puts the emphasis on whose remembrance is important to you.
Same.
even in the city it as if you are in the woods, hullabaloo & hush is like an environment
Language so rich, Linda. The complexity of it adds to the hubbub too. And that soft/hard landing in the naming.
Yet another gritty, urban tale. And that memory of Amanda was hair-raising and worked well in juxtaposition.
I echo Shaun’s shew! “belly of this urban burst”
and add: “I call the earthworm/on the sidewalk Thea. The half-earred stray is Ralphie./The street cat I’ve just taken in is Charlene.
Abuse has many voices. I like the juxtaposition of city and woods, naming the earthworm god.
Love the names!
“the seclusion of the North Cascades …” oh my god
the roaring city so jarring a constrast
i think of the interstates as more furious than restless
and I also love the names
‘belly of this urban burst’ you revealed so much in this poem1
Love the twins, hullabaloo and hush, and the naming and tracking of living things. <3
love the meditation of manifest silence and noise bit. you are a calliope and kaleidoscope Linda.
The recall of Amanda is haunting, Linda. I love how you’re carving out quiet and connection in the middle of all that urban noise.
love “in the belly of this urban burst” and the haunting end of the poem:
I feel an urge
to name & track living things. I call the earthworm
on the sidewalk Thea. The half-earred stray is Ralphie.
The street cat I’ve just taken in is Charlene.