Psychic Skirmish 21 (some jouska jarred in the Age of Treason)
They’d hobbled a dreamachine from Brion Gysin,
painted it black and white as zen, and then
twisted its lissome jaws to the scrumptious
grey of eidetic, despotic, and pothering pictures,
pulchritudinous nerve of a pansy drawn
to a gibbet of chrysolite, thrawn and emerald
spires wiring Oz as the horse-kicked cheeks
of a munchkin, colors unplumbably curled
to a Mesmerist tie-dye, desiccant grey of diminishing
dishwater riddled with suppling bones and milk
teeth strewn around ocherous tendrils,
evermore gurgling lower and lower and
lowered now
lower
again—
hold your breath,
count to three,
make a wish,
let us go then—
The pleasant Patina paraded her
soles swoln sticky with flour
across which charred and charted roads,
what slippery streets where smoldering cigarettes
float as the half-snuffed stars once stirring
a firmament, snagged
about broken branches bridging but
bickering realms of a hacking ash tree,
trammeled in crackling vacuum slackly
sluiced from the eye of a dozing dog. Such
scowling macadam that cloud-shat showers
slop and soothe to a mirror’s moire
(some star had pickled and pinked to a groaning glare),
here lamplight bruises orange as a
salvaged stone-fruit’s flesh that’s splashed across concrete,
sage as a sickening squint, that buttery
greige of a smokestack gargling
crackling coals to frozen smoke.
She neared McCartney, combing
the can-studded stone with a
tinker’s raking gait, who had always
loathed her dandling pe’ots, her autumnal bonnet
ginkgo-gold or greige, her smirking affliction
glib as the rain-eaten skomorokh picking at Kiril—
thrumming primordial ribs and scratching out icons
brash as a rash of wassailing cats.
McCartney’s tabard was black,
that black of the coal-clad Cash’s sweet
and sepulchral hymnal, black as the bronze
of a death mask propped upon purling, skittish plinths.
His slacks were sewn of circuitous dictums,
deep as the moth-wan tissues worms refuse
and starched like the worming vertebrae fused
in a smarting hunch, slumped sick
as the havocking curs encoached
in a roach’s war—His face
was milky and speckled and just
as it was some sobering summers past,
once signed by the brands of burning beer signs,
chiseled with sharpening shadows
spat from the blearing blush of a cat-calling streetlamp;
teased to a winsome and secretive simper,
a wildly rattling wreath of teeth,
some twisted stare of sardonic indignance; or
settled in wriggling rue and snow-chewn ruins
runnied with hungering mud and kudzu
ensnaring slavering squatters—and here
he seemed as a shanty leant against
listless waves and shriveling sea oats,
a shiftless rib of smoke uncoiling,
chimneys sunk to unsettling dust—
a golem of sorts, though pressed from a tacit talc
and pressed by absurdist epistles,
embittering blotter paper tacked to a tired tongue,
and the grumbling signals strummed up
scrunching ribs and the queasily capoed strings
of a warping neck and wheezing pistons;
an integument tethered in powdery pith and
embittering pips of paled pomelos
but rough and repulsive sunsets savaged—
a hollowed hare, which eclectic confectioners
cast in a batter of gin and aspirin, he
who’d forgotten the churlish gags,
the oenomel giggles of dish dogs,
braying and strange, the nicknames
nipping at tippling ankles, dragging
the staggering steps, the lamed and
belaboring gaits of poisoned putti,
rusalki sulking on warping linoleum
webbed in a watery sinew spurt from a
burbling, haggard, and cracked commode
left choking on sunken, encrusted tissue;
thrust to the wiling strides of exuberant brumbies,
mutts made one among otters and ocelots,
dryads, naiads, and godlings…
Though his cat still whispers,
Tigers of wrath are wiser, P., yes,
even than brumbies bent to be broke about
scarps or stirrups, or maundering mutts
that cock a disquieted tail against clamorous stars—
She’d then scuff stool across biting tile,
ever imperfectly parallel with but gritting grout.
They grazed in a tremulous, frantic neglect,
wan squeals of scraping skiffs that scud upon placid ponds,
like accidentals tugging meandering melodies twain,
as keys must scratch about anxious pockets
picking their preening peaks to pieces—
passed upon patchwork concrete
frolicking dogs demurred, disdained,
laid waste to—
And as the dissonance scratchily waxed,
she cobbled a conversation drawn
among puddles and potholes, drowned
as wrinkles rubbed round wind-strummed meres
by a cat’s-paw settle in pensive, speechless, shapeless smoothness
:
They jawed along snickering spillways, scuffling
soles against frankensteined macadam stitched
in snakeskin tarred to a crippling stiffness.
He dreamt of the woods immured in the green
of a golf course, quivers of irons and woods
supplanting sleepily gamboling saplings rose
with a sinking star and the harrowing toes
of a whinnying ice storm—wooed some frozen feeling feeding
on twisted tongues, which a sticky aluminum clenches.
Peter McCartney waxed to a critical shrillness,
spat, “It’s A Wonderful Life? It’s a crock of shit!
It’s a dream. It’s a harrowing movie, the bleating
feed of shapeless sheeple—technically good,”
(Now, mind you, Peter McCartney here
was a sordid shadow, which thrawn and
ponderous rain’d unplumbably picked at,
no more Peter than Yeats’ da, in a meddlesome dream,
was smoothly immured in a stubborn doorknob.)
“—though it sets an unsoundable standard.”
“One where people are truly good?
It’s a beautiful movie, flickering flake
by flake. It cuts through the souring sutures
thorned through a sucked and puckering sternum…
To think it a crock of shit, you’d have to have
solely seen among mirrors scuffed
with the glair of scum-scowled witches’ windows,
sieved from the turbidly bitter bdelygmia
bubbled in troubled and gurgling potholes,
strictly a finicky specter stitched
from the stillborn teeth interred in teratomas
covering frowns inflamed by a blistering lick
of unshakable shame and a teetering
tower of louring waste where once there
posed self-pitying Peter.” Patina
stood on a bulbous shard of tar,
the hunch of a buried domovoi
schismic, bickering, scraps of stone had,
teased by a wryly wassailing storm,
implored to the crazing borderlands boarded
with broken rock and cagey concrete,
firm as a flopped and flinching fence.
The water’d cinched to a frothing moat
but bridged by a shriveling pinch of stone.
She hunched upon Bubbleland, even the Elba
Pope once promised a flimsy farce, and
snapped her umbrella’s spine on the gurgling drawbridge:
“And as these rains irremeably rise
spurred on by a sore and insoluble sadness,
this skittering drawbridge slouches, splinters,
picks the teeth of Leviathan clean as a
typeface freckles a thoughtless leaf,
as stars explode in a moribund hunger,
leaving less than impressions
sticky as cigarettes sallowing stuffy apartments.
Have you considered Jesus, son—?
I’m kidding, although he’d have,
by far, a far better bead on things
than this.”
5 thoughts on "Psychic Skirmish 21 (some jouska jarred in the Age of Treason)"
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Goldie, you put a pin in my giggling right temple at the second em dash. I will parse the rest when I emerge from your “batter of gin and aspirin.” What is wrong with you? I like it. 😹
I’m still trying to figure that out. Thank you so much though! I’m glad that gag could garner a giggle— I was hoping it would.
Your language choices are so rhythmically interesting and make your work a pleasure to read and sound over
Thank you! I remember listening to a recording of Yeats (which is crazy even exists, although he lived til ‘39), and he’s prefacing a reading of The Lake Isle of Innisfree and makes this very snarky point to say that he’s going to read it the way he wrote it, even if the rhythms might seem unnatural, because he worked very hard to make them that way. That’s always in the back of my mind. So thank you for appreciating the time and consideration I take into feeling out the rhythm of these things. It’s very important to me.
Wow. This may be my favorite so far. So many things I can’t begin to list them all. I see you. I’m fairly certain the gender is flickering, and that adds a lot of truth to this, we haven’t had heretofore, historically, much. I love the subject (both of them obviously) and it makes me laugh. The description of the dishwater and streetlights is stuff of legend. This is up there with anything Coleridge, Dante, Blake or Carroll could have ever written. Just stunningly beautiful and modern.