Shame & Success
I was named celebrity
judge for Nashville’s foolishly
popular pet parade. My column
printed three times a week complete
with a headshot. That’s me reporting
on death, crime, the newest
Pizza Hut. I juiced mundane
specifics, the tangled
details—How many guns
in the arsenal? Exact time
of death? I rarely fessed
up to what was mushrooming
inside me like the rhizomes
of a rootbound Hibiscus.
Please understand, I was
a success, a seasoned
professional. I met brutal
deadlines & kept my workface
face intact until, after clocking
overtime, I’d unlock my front
door & collapsed on the over
stuffed loveseat. Unopened bills
scattered on the floor like dead
trout. Once-green Calathea withered
to bacon-brown curls. One night
Princess Maragaret, my Goldenface
Parakeet, dropped dead in the cage.
Hard to talk about, I still
want to run. A family of mice moved
into the folds of the davenport, where they
begat chestnut-colored babies, each the size
of a coat button. Once a tiny one pranced
across my blue gym shoes. Was she
trying to save me from success, my personal
Chernobyl? I got better slowly. Recovery
at the speed of a rusty tricycle. No one
at the newspaper knew why I took
an extra week of vacation, that I’d started
meds, that my boyfriend left me
but came back determined
to help. It took four days to clear out
the trash, pack up what I could save.
~ with thanks to Coleman Davis ~
14 thoughts on "Shame & Success"
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you’ve really let us in here.. 🙂 thanks for sharing.
Brave poem. I remember hearing about those mice! Thank god Coleman was there to help. Love you darlin.
So personal and so effective. This line: “Hard to talk about, I still want to run.” brought up so much emotion for me. It was earned. Thanks for this.
Here’s a question if anyone cares to ponder. I wrote this poem from a prompt that asks the writer to write about something they are deeply ashamed of. It came out in first person, and I don’t think it could have happened any other way. But I read it back to myself, shifting the voice to third person and I think it takes the emphasis off me and on puts it on a universal experience of depression. I’m thinking about changing it to the third person. What do you think?
I actually quite love this piece, Linda. I think that, as it is, it just checks off all of the boxes.
For me, the moce to a third-person perspective would be an interesting idea, as it would be more “reportage” from the reporter and give us a little bit more of that universality, but it may also lose some of the immediacy that draws me to the poem–though others’ mileage may vary.
I think the best thing about poetry is that the personal can be made universal so easily already–if you were to change to third person, it might be worth also thinking about the tense to keep that immediacy
I could run off a list, a long one of poets(modern-day and classic)
we together love,
one thing they do is let us in.
For me the poem does read better in third person.
This is brave! Either way you go with it. The reader knows and it is universal….great prompt and a knockout poem.
I like the 1st person, Linda. I don’t read it as a personal poem at all but simply as a narrative written in 1st person. Of course I don’t know any facts about your life, so maybe it’s easier for me to do this. Neverthess, I tend not to assume the 1st person speaker of a poem is the poet, just as I don’t assume the 1st person narrator of a novel is the novelist.
My two cents: I really appreciate the first person speaker. Confession seems a more powerful way to remove the stigma of the topic than omniscient voyeurism would.
These comments are helpful and well-expressed.
Wow. This one took the top off of my head. It’s so powerful, I’d be tempted to keep it in first person.
I agree with Austen- first person makes it more confessional Loved the line- I juiced mundane specifics the tangled details.Brave poem!
so many good lines here
so much good poetry
but like political poems, upfront confessional poems are hard to pull off without veering into sentimentality
(I’m guilty of this more than most)
you might check out the new yorker poetry podcast from Aug. 2018 where Cathrine Barnett discusses the use
of the split self in her poem “Son In August” in which she uses both 1st & 3rd person.
I met brutal
deadlines & kept my workface
face intact until, after clocking
overtime, I’d unlock my front
door & collapsed on the over
stuffed loveseat
Wow.
As I am currently sitting in shame for the bed I can’t even sleep in due to all the “I’ll-get-to’s” I enjoyed the personal level of first person.
Whatever feels right to you.
It’s personal. It’s vulnerable. And honest. You did the work. On paper and in your life.
Beautiful.
Thank you for sharing