Suminagashi: Kaizen
Floating ink not weeds
Ozu crafted ellipsis
with tatami shots
Master of the house
is celluloid suffering
of Mizoguchi
Miyagawas eyes
remain atop the mountain
stillness or tracking
Constantly crafting
cinemas forward motion
unbroken moments
Gifted invention
a bleach bypass processing
new roadmaps for use
Akira came close
mostly with Sanjuros help
yet still a craftsman
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In the memory of Kazuo Miyagawa who seems to be forgotten in this age of less than skillful cinematography.