taratantara for all of the doddering children, picking out plots in macadam-clad potter’s fields
pestling novel noise,
drubbed din of the nether-
world nidhogged under chicago, I
hear the gregorian space nuns pant
and prance about brows of the souring
pea flowers. Everything
seems to be emptying, how
all the growling verve of this
doddering fridge or the glibly
dribbling spigot might mean mere
nerve to some or some small, nerving
thrum of the pixie stick pestle bent nettling what
sere cinder kicked
or skipped or thrust
out over oblivion’s brambling
borderlands, al-
beit, odd though, never once
snuffed nor crushed nor gnashed
into taciturn ashes, softer
than road tar scars or dust
paws up upon cold and swollen sills—for
that would be more than a fickle affront, for
that would be worse than murder. Listen—if
one can field one flimsing
feeling even from throttling
film, or the groaning
door confessing that
some smug, musty
basement must
portend no
more than the
crow’s-footed tumult
of certain death, if one can
suss out the soles of a drunken Sibelius
burning the rubbings he’d drug across
some gruff god’s sepulchral gullet in
how many brass-bent breaths bid
burning in tandem; then
one can adventure to mutter,
there must be music
mashed amongst traffic jams, too.
there must be more
to us or this than
anything packed in
exaggerated aspirin
clung at the ass of an acned
wine flute pressed from something more
ubiquitous and quick than dimpling plastic.
3 thoughts on "taratantara for all of the doddering children, picking out plots in macadam-clad potter’s fields"
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Love the use of sound and line breaks in this poem, keeping it bounce-bounce-bouncing along the whole way through. It was quite entertaining!
Thank you.
This is like musings of a child genius on a swing set… kind of an apt way of thinking of you, now that I write that. Love it. I feel like i came out of a reverie when it ended