to anyone listening, soft as the grave suiseki assuages a cataract’s grip
smoothing two coals on a callused palm
like a monk might manage ben wa
or baoding, she
shot a svelte snot-rocket
sprig of contortionist wis-
dom to anyone willing
to grip it,
like some grab
gas or the rattle of
latter day saints and
still go stumbling over the
edge of the quay or the fray
or the way suspended in
dust bunnies barbing a
sun beam even—I see
but the Salvator Mundi impressed
on a sun-plucked windshield, puckering,
laying that mudra of safety
scissors on throttling cau-
tion tape tethering toddling
grass blades bulged about all
but expectant and unkempt concrete; see,
where the lips link
soil and sky, where it
reads in flint-flinched rune
stones stuttering, slurred or
unrealized—see,
As above,
so below,
though know
that the mouth
is the molten
navel—
5 thoughts on "to anyone listening, soft as the grave suiseki assuages a cataract’s grip"
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Wow!…”reads in flint-flinched rune/stones stuttering, slurred or/unrealized—see”
Thank you! I really like that line too. It kind of cinches the whole rambling weave of it into an odd little knot.
Love this poem about the Salvator Mundi! Love that last line. Love the image of the mouth creating the world, the hand used as scissors to snip the caution tape. Was it, to you, a releasing of the children within, the sprawl of grass? The idea of kempt lawns? I love how this image is blessing the mouth and by extension, the world around you, unbinding you from convention…at least thats how I’m reading it.
Thank you! I love that interpretation of the grass. I think grass is pretty symbolic of something wild curtailed or clipped back into oppressed homogeneousness.
The way you’ve personified the grass gathering at the edges of the concrete makes me want to cry with it’s sweetness…