Waking to Iambic Pentameter
As I’m reading Hamlet, I chuckle to find
Shakespearean rhythms; they dance in my mind,
Their lines made of iambs, unstressed and then stressed,
In ten little syllables (well, more or less).
I scarce e’er use meter, I’d rather be free
To capture emotions in my poetry —
Or sometimes an image or sweet memory —
With words that express complementarily.
The sounds of the bard soothe and tickle my brain
And now that I start, I can scarcely refrain
From lining up feet in a novel old way
Inspired by this summer’s review of some plays
I first read in high school. It’s now time to share
The tragedies’ potency, magic and air
To sweep up a poet at start of the day
And nudge her to frisk in a language ballet.
12 thoughts on "Waking to Iambic Pentameter"
Leave a Reply
You must be logged in to post a comment.
Such fun, I love this! The tone is perfect, and I know what kind of work it takes to get the meter & scheme.
Thanks! For me, it took letting go of the ideas of vocabulary precision and of leaving out “boring” words to make room for more attention to rhythm and rhyme.
nice!
Absolutely lovely and light-hearted.
I really enjoyed this
Thanks, Dustin, Maira, and Shaun! It’s not unusual for a tragedy to inspire my poetry, but grinning this much while following that inspiration is definitely a first. I literally woke up thinking the words “iambic pentameter”, taking a minute to remember why and laughing at myself for being so nerdy.
😂 well, loved it!
Very fun to read!
Thanks!
delightful-you put on your “poem shoes” and took us for a walk!
Glad it was on pointe. 😉
Your poem sings and dances in the meter and the matter. Love the frisk in a language ballet.
Thanks, Alyse. That’s one of my favorite lines too. I considered changing the word “frisk” because its connotation as a verb can be very different than its connotation as an adjective, but I decided I liked it the way it was. Glad you did, too. 🙂