For all the steam

Claude Monet, The Gare Saint-Lazare (or Interior View of the Gare Saint-Lazare, the Auteuil Line), 1877
Aloft
Prisms at play
Winkle a new beauty
Paint the sparkle of modern life
Vapor

Claude Monet, The Gare Saint-Lazare (or Interior View of the Gare Saint-Lazare, the Auteuil Line), 1877
Aloft
Prisms at play
Winkle a new beauty
Paint the sparkle of modern life
Vapor
the pattern is changed, somehow
not right, off
from what we’ve grown
to expect
the structure loosens, gaps
appear, uneven
tension that distorts
the shape
we are not unmade, nevertheless
dread the beating
necessary to salvage
the whole cloth
I leave the lamp on, dimmed low
door half closed, as if you
were still in the other room.
I turn my neighboring pillow
sideways, tucked in beside me—-
I pretend I see the tv flicker,
the faint clicks of the controller,
assuring me you’ll find your way.
I try to drift and fall asleep,
but I miss your love
and warm embrace,
as you call me darling, and
have a pleasant dream.
My fear is not from the dark.
fear is not temporarily
all alone.
The fear comes from
your absence.
There is no squeak
on the hinged door,
and the sheets still stay cold,
and I wonder when I get old—
will I miss you as much
as I do now.
to the horns and brakes of Union City
in the shadow of the Big Apple,
with mother and father striving
for the modern American life
their immigrant parents had journeyed to.
Raised in Brooklyn’s bright lights
but preferring Omama’s simple
household in Reading where you remained
her kleiner Prinz, where you fled when needed.
And years later you settled in the country,
trading busy streets for rows of corn, strayed
from parish ministry towards teaching,
though father, grandfather and so on
had spent their lives in pulpits.
Come to think of it, you lived your mantras:
“strike while the iron’s hot,” “be flexible”
and “don’t expect consistency.”
Highlin chewed up my guitar case.
He freaked out with every thunderstorm.
We were away, buying a new car.
Highlin was looking for me.
He wanted that soothing classical music.
I played for him whenever he begged for comfort.
Lucky for him the guitar was not damaged.
The tolerance limit was reached.
Thank you for the tal gras
in the lower 40.
We re flattening it owt for you.
Wen r you leaving?
Good luk in your next home.
The Dear
It’s an illusion of the psyche,
which is the emotion
and which is the shadow side.
Some days I have your love tucked carefully away,
tasked only with shielding it from sporadic pickpockets of doubt
Other times I am marching head-on through foolish delusion
draped in a rainbow-hued fog of denial.
I’m in either way;
sun or shade
my soul knows
no other light but yours.
6/17/26