Porcelain Movement 3
How to Hold What Trembles
Their beauty carried its own syntax—
but the grammar was always the same.
A volatility I could read
like a sentence about to break.
Black hair falling like a curtain they can’t lift,
brown eyes shining like fired glaze,
porcelain skin showing the faintest web
of fractures beneath.
I could hear the pressure in them,
the fine porcelain singing
before it cracked.
They leaned against me
with the dead weight of a shelf-worn thing,
porcelain faces lifted toward me
as if I were the one person
who could keep them from breaking,
and I kept setting them upright.
I know that wanting.
I know how a doll can tremble
even before you touch her.
I, remembering how to hold what trembles,
opened my hands.
And they let me,
because I knew what it meant
to be too full
and too empty
at the same time.
14 thoughts on "Porcelain Movement 3"
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Love: “like a sentence about to break.”
I really love the anthropomorphizing of the dolls here. And the way you portray them both as innocent in their own right but also a reminder of the volatility and complicated feelings the speaker was forced to bear at far too young an age.
The dolls are at once the speaker, the person who caused the speaker pain, and themselves in their own right. And these three aspects intertwine wonderfully.
I have been slightly afraid of potential misreads of this series, but you always seem to get me L. Coyne! Thank you, I am appreciative of your presence!
This is so tender and loving!
Thank you, Linda!
Jeremy, your verse keeps the reader on the edge of their seat! Well done!
So many great lines and images in this Jeremy, Especially fond of “brown eyes shining like fired glaze” and “with the dead weight of a shelf-worn thing,” — just terrific!
Wonderful, Jeremy. Stanza 6 crystallized it.
The sounds and images you craft are spectacular.
“I could hear the pressure in them,
the fine porcelain singing
before it cracked.”
Amazing!
“And they let me . . . at the same time.” Brilliant poetic closure.
“I know that wanting.” You have become so masterful at combining the simple with the complex, In awe!
Thank you, Sylvia! I always want to keep it simple and clear.
Killing it with, “A volatility I could read\like a sentence about to break” and “with the dead weight of a shelf-worn thing” Very well done!
Thank you, Eric!