haiku: nina simone’s cover
haiku: nina simone’s cover
i can’t listen to
her “here comes the sun” right now.
it’s winter in me.
haiku: nina simone’s cover
i can’t listen to
her “here comes the sun” right now.
it’s winter in me.
The sun was dimmer this time of year.
We sat on the floor of your crystal palace,
brown curls spilling down like the gnarled tree your sister painted.
There was no concrete way to express our grief,
for two people who have lost little but enough,
just the crying and the silence and the emptiness that followed.
Today is my sister’s birthday
Yesterday was my other sister’s birthday
One born before midnight
The other born after
My sisters are unique and special
Identical
Twins
With
Their
Own
Birthdays
They called to inform us that your ashes are ready for pickup–
how strange it is to think you could possibly fit into such a tiny box,
all that love,
all that life,
all of you.
But there you are
and here I am
s
C
a
t
T
e
r
E
d
Holding you
contained before my eyes
while your spirit envelopes every waking moment I continue living.
letter sealed by wax
Although I told her personal things
I know mermaids are not real
But see, the trees keep growing
The talking head on T.V. gives his opinion
Each morning slightly different
Now folded into paper like a swan
I decided that I’m not that crazy
Is anyone listening?
Again the light shines on the wall
There are two baby rabbits living under the shed
The past visits like a stray cat
Stirred by my waking
A reluctant day beginning
Celebrated or maybe mourned
The clanging of machinery, the water rising
Anything goes
If you live close to the source
and a green gown made of hope
drown in
the power
of a
field,
a creek.
Latch
to want,
a
bird, blue
blur,
hovering
solitude.
* An erasure of Ada Limón’s poem “Drowning Creek” in her collection, The Hurting Kind
More than just a photogenic face,
and you will need to work to know her
after you first earn her trust, patiently,
waiting for her to feel comfortable,
to want to spend more time with you
then safe enough to speak with you.
More than a woman, though that
will never be unimportant to her,
and should always matter to you,
she is a person, carrying her past
while being reshaped by now
and pondering future secrets.
This moment in candlelight,
yesterday at the beach,
tomorrow at the green grocers,
flashing eternities in her arms:
Learn what she feels of them.
Be worthy of their repetition.
(after the 1943 photograph by Olive Cotton)